Album Review: Type-O Negative's October Rust (30 Years Later)

Happy 30th anniversary October Rust!

That’s right fellow Otaku & Metalheads, as of this past August on the 19th one of THE most essential albums of the month of spooks turns 3 decades old. It’s no secrets that I’ve shown nothing but love to the Drab Four from Brooklyn for a long time here. Even with the one long bad record to their name (That wasn’t their fault), Pete Steele & the gang gained a fanbase that still loves them long after the Green Man passed away, and it’s due to releases like October Rust that keeps them in his gothic aura. I reviewed this album all the way back in October of 2014, but for more of you this might be the first time you’ve seen me cover this album. So, to welcome in the spookiest time of the year, here’s my review & birthday celebration for Type-O Negative’s seminal classic, October Rust. Let’s begin! 

Background
Taken from my original review: 

“Coming off of their success of Bloody Kisses, the band toured Europe & the United States to promote their (At the time) new album. During the touring, the band started work on what would later become October Rust, and in doing so introduced some radical changes in the process. First, the album took a departure from the punk vibes that previous album had within them, and decided to go in a more ballad direction. Secondly, the band decided to add a little bit of humor to the album: The opening track Bad Ground is just 38 seconds of low-level buzzing (Which was made to trick the listener into thinking that the speakers weren’t plugged in properly), and the 2nd & 15th tracks were that of the band members themselves.

On the more technical side of October Rust, Type-O Negative employed two interesting techniques. For some of the songs on the album, the band implement very abrupt endings and segues, which created a kind of whiplash for the listener. Perhaps more curious was the drumming on this album: this marked the first time that drummer John Kelly was credited with his role. However, the actual drumming used on this album was done with a drum machine. Listeners didn’t know about this for a long time, until an interview in 2007 with dreadcentral.com, where he stated that the drumming wasn’t necessarily his. Ironically, it would be their final album, Dead Again, where he would be actually playing the drums (The last he did was with Bloody Kisses, and that was back in 1993).”

Basic Description
The embodiment of October.

October Rust truly fits this month perfectly. Despite being released around the end of the summer, every single song (With one notable exception) encapsulates this time of year. The leaves falling, the sensuality, the cool breeze, pumpkins with glowing faces, mulled cider, etc. Pete Steele & the rest of the Drab Four by 1996 had solidified their sonic identity & theme, and it shows: solid instrumentation, crisp & deep vocals, recording and production that’s perfect, and thematic elements that would identify the band until the Green Man took his final bow. Bloody Kiss from 3 years prior was impressive no questions asked, but it’s October Rust that really shook things up.

Best Track
My Girlfriend’s Girlfriend is not only the best song off of October Rust, but it was the song that hooked me to the band PERIOD. It was sometime between the late summer of 2006 to some point in the fall of that year, when I was randomly flipping through channels, and I happened to land on MTV of all things. Seemingly as I stopped on the channel in question, the music video for this song just so happened to start playing, and my eyes stayed glued to the TV screen. Even if I didn’t see the music video, the 60s sound coupled with the band’s patented gothic sensuality seems odd at first, until you realize it’s actually quite clever. Pete Steele had always stated that the Beatles were one of Type-O Negative’s biggest influences, and the song itself comes across like a lost song of the band in question.....just a little more spicy.

My Girlfriend’s Girlfriend

Worst Track
Like I stated in my original review, Red Water (Christmas Mourning) is the lone bad track. It’s not because of the instrumental or vocal work, because it’s top notch across this entire release. It is more to do with the atmosphere. A year prior to October Rust releasing, Pete’s father had passed away, and a few people in his family would do so as well overtime. To play Devil’s Advocate, Red Water’s creation & placement on this album is understandable given how the Green Man was feeling, yet it doesn’t match up with the vibe that the rest of the music was going for. If anything, it almost feels like a lost track from the release after.....but that’ll be a story in 2029 I’ll cover.....if I’m still doing this blog by then.

Red Water (Christmas Mourning)

Other ***
If you’re curious about listening to this album, click on the link below:

October Rust

Overall Impression & Rating
October Rust just brings a smile to my face whenever I listen to it. Every October, I make sure I listen through the whole album at least once or twice because it’s just perfect to hear when the leaves are falling off the tree. It’s a testament to it’s legacy that a little over 30 years since it was first release that it still has legions of fans, and they’ve all been loyal ever since. If you are looking for a soundtrack that encapsulates this ENTIRE month, there is nothing else finer than this. 

October Rust gets a 10 out of 10. Even with my own biases aside, the band produced gothic gold with this release.

And that was my 2nd review of October Rust. Being the first album of there’s I ever listened to, it’s a testament to it’s legacy that I still have it in my musical rotation. Especially during this month, it’s a reminder that over a decade & a half since his passing, that Pete Steele still looks at us from beyond the falling leaves. So with the first review for Halloween out of the way, it’s time for an annual tradition of mine, and this year it’ll be special. See you all next week!

 

***
Note: the version of Love You To Death is the video edited edition. 

Checking In!

Hey fellow Otaku & Metalheads! 

Nothing too big with today's post. Just wanted to check in with everybody, and let you all know some things that have been going on. First, I am currently at August of 2016 when it comes to fixing up my various reviews & such. I admit I've been dragging my feet somewhat throughout this year, and should have been a bit further than I currently am (Was hoping to be at either 2018 or 2019), but I will still continue to fix things as the rest of this year goes by. 

Secondly, it's October in a few weeks! I've got my standard top 10 anime chests for Breast Cancer Awareness list, but I'm shaking things up somewhat. At least 3 weeks in next month, I'll have 3 reviews dedicated to albums that are just perfect for the Fall. On top of that, I might sneak in something special just to surprise you all. It depends of how far I get when it comes to the fixes, but a surprise might definitely show up. 

And with that, my little checkup is complete. See you all in a few weeks! 

Album Review: Nickelback's Curb

So....I am about to lose some credibility with this one fellow Otaku & Metalheads.

The subject of today’s review has been the target of ridicule for ages. Considered by the massive majority of music fans to be repetitive, highly commercial, vapid, and giant sellouts, it may surprise a lot of you at one point that the band in question actually had potential for future greatness. A band that, at least in their earliest material, came across like they actually producing good music for people to listen to, and it holds up shockingly well to this day. What band & what album is an example of this, you may ask? Well, sit back, relax, and let’s take a look at my review of Curb.....from Nickelback.

Background
Taken from Wikipedia:

“Curb is the debut studio album by Canadian rock band Nickelback. Recorded at Turtle Recording Studios in Richmond, British Columbia, with producer Larry Anschell, it was originally released exclusively in Canada by FACTOR (the Foundation Assisting Canadian Talent on Recordings) on May 15, 1996. The album was reissued locally later in the year by Shoreline Records. After Nickelback signed with Roadrunner Records in 1999, Curb was remastered and released internationally on June 25, 2002. However, the remastered edition is controversial for its audio quality compared to the original issue as its dynamic range was significantly reduced and introduced severe clipping problems throughout.

After releasing their debut EP Hesher earlier in the year, Nickelback recorded their debut full-length album in 1996. Much of the material dates back as far as 1993, and was written primarily by the band's lead vocalist and guitarist Chad Kroeger, although all four band members are credited equally. Two songs from Hesher, "Where?" and "Left", were re-recorded for the album, while the original versions of "Fly" and "Window Shopper" were only remixed and remastered. Chad Kroeger, in an interview in 2000, described Curb as "raw" with "a lot of good songs".

In 2000, according to Nickelback's website, Curb sold more than 10,000 units. Upon its international re-release in 2002, Curb registered at number 182 on the US Billboard 200 and number 185 on the UK Albums Chart. The album was certified gold by Music Canada in 2010 and silver by the British Phonographic Industry in 2015. "Fly" was issued as the only single and music video from Curb.”

Basic Description
There’s something here.

Like I alluded to earlier, there was potential for Nickelback in their first 3 albums. The band seemed far more about jamming, rocking out, and putting out good music for people to listen to, and it’s felt on Curb. Maybe not fully (More on that later), but it’s evident from a majority of the songs on this record that everybody definitely put in a lot of effort. The instrumentation is on game, Chad Kroeger’s vocal work doesn’t sound phoned-in for the most part, and the recording & production on Curb is great (But there is a catch). It’s surprising at how good I thought this was the 1st time I listened to this album a few days ago, and while I will probably never seek it out again, I won’t necessarily ask someone to switch albums if they’re playing it.

Best Track
Sea Groove for whatever reason just works for me. Though the first part of the song’s name is just confusing to me, it easily embodies the 2nd part very much so: this tune is very much in the Groove Metal realm: the guitars & bass bring the groove, the drumming brings the groove, and even Chad Kroeger’s vocal work seems more groovy on this song that the others. While you could easily compare this to other similar songs of it’s time, there just something about Sea Groove that got it’s hooks it me almost immediately, and it hasn’t loosened even a few days after listening to it for the first time.

Sea Groove

Worst Track
While I said that the band showed potential on their first 3 albums, and I still stand by that, there are some unfortunately obvious hints as to what they would become after their 3rd record. There’s some repetition with the instrumentation, the beats & rhythms are a little in the commercial realm, and some of the lyrics are vapid adjacent. They’re not all the way in that space on Curb, but little blemishes are certainly seen. 

Also, there’s the matter of the releases. Like practically every album I listen to for these kind of reviews, I use Youtube. The version that I had listened to was the 2002 reissue version of Curb (Along with it’s album cover), and that had some issues back in the day. Mainly, the 2002 edition’s audio had it’s dynamic range significantly reduced and introduced severe clipping problems throughout the record. I did not notice this when listening to it on Youtube, but that’s more than likely due to how it was edited. 

Other
If you’re curious about listening to this album, click on the link below: 

Curb

Overall Impression & Rating
Curb definitely deserves criticism, that’s for sure. However, it doesn’t deserve every bit of that criticism. Nickelback definitely come across like they’re trying to be genuine musicians on this album, as a giant majority of the music really feels good. Yes, what the band would be eventually criticized for has some noticeable spots, but they don’t overwhelm the otherwise good parts of the record. As I said above, I’m certainly not going to go out of my way to listen to Curb, but I’m not exactly going to complain if someone else does.    

Curb gets a 7.5 out of 10.

And that was my review on Curb. Certainly surprising to anyone that’s only even known about Nickelback’s most modern material, it definitely catches any first-time listener off guard with how good it can be at times. Definitely not great, but certainly good. Well, the Summer Of Grunge has now concluded, so see you all sometime in September. Until then, take care.

Album Review: Foo Fighter's Foo Fighters

Hey fellow Otaku & Metalheads!

I don’t think I said it in my last post, but I want to apologize for dragging my butt. Normally, I’ve been on point with my schedule, but I’ve been oddly slow for this month. If I’m being honest about this year, I’ve been slow with fixing older posts (Though I am about halfway through 2016). Fortunately, I’m just about done with my look back at Grunge, so when I’m complete I should be going through them some more at a faster rate. In the meantime, here’s a band I spoke about a few days back, and one that even casual music listeners are familiar with! Since 1995, Dave Grohl and the spiritual successor to Nirvana have continued to carry the torch of Grunge throughout the rest of the 1990s & even into 2026, yet they always changed things up here & there to make things different. Let’s not waste anymore time, and take a look at the inaugural record from the Foo Fighters. Let’s begin!  

Background
Taken from Wikipedia: 

“Foo Fighters is the debut studio album by American rock band Foo Fighters, released on June 26, 1995, through Roswell and Capitol Records in the United Kingdom and on July 4, 1995 in the United States. Former Nirvana drummer Dave Grohl wrote the entire album. He recorded it himself in six days with the assistance of producer Barrett Jones at Robert Lang Studios in Seattle, Washington, in 1994.

Grohl said that he recorded the album just for fun, describing it as a cathartic experience to recover from the suicide of Nirvana bandmate Kurt Cobain in 1994. The album, featuring more traditional rock stylings than what was typical in grunge, is considered to have established the post-grunge genre.

After Grohl completed the recordings, he passed cassette copies of the sessions to personal friends, using the name "Foo Fighters" to conceal his involvement. When the tapes attracted record label interest, Grohl signed with Capitol and formed a backing band to perform the songs live. The album was promoted through extensive tours and four singles, two of which were accompanied by music videos.

Upon its release, Foo Fighters earned critical acclaim, with reviewers praising its songwriting and performances, and was also a commercial success, becoming the band's second-best-selling album in the United States. It also peaked within the top five of charts of the United Kingdom, Canada, Australia, and New Zealand.”

Basic Description
Nirvana In Spirit.

Dave Grohl will always carry the vibe & energy of his closest friend with him until the day he dies. Without Kurt Cobain in his life, he may very well not have had the amazing career he currently still has. That’s essentially what Foo Fighters is: Nirvana, but more so of the spirit of that band rather than the letter. The soul of the self-titled album is very much in the realm of Grunge when it is, but everything else is different. Yeah there’s times where a song or two sounds like something Nirvana would do, but more often than not Dave Grohl is trying new things to keep the noise fresh. It’s ironic that the record sounds as upbeat as it does, when Foo Fighters was formed as a way to keep the depression at bay from losing such a close friend. 

Best Track
Big Me is a silly little song I can’t help but love. Coming in at just 2 minutes & 12 seconds, it’s the shortest song I’ve ever placed in a “Best Track” song in a review, but I just can’t help but smile when I listen to it! The repetitive but well-played instrumentation just feels cozy, and Dave Grohl’s vocal work feels warm & friendly. Again, it’s run time is it’s biggest fault, but outside of that I have a pleasant experience listening to this.

Big Me

Worst Track
Exhausted is the only track on the band’s debut album I’d say is bad. The drumming is good, as well as the vocals, but for whatever reason I can’t stand the effects that were put onto the guitars (I’m assuming it was put on the Bass as well). It comes across as incredibly scratchy, and it’s so bad in places that for some reason it made me feel weird. If this song was closer towards the beginning or middle, I might not judge it so harshly. Instead, it’s the last tune on this release, and that’s just frustrating!

Exhausted

Other
If you’re curious about listening to this album, click on the link below: 

Foo Fighters

Overall Impression & Rating
Foo Fighters’s first release definitely hits the ball past center field. Final track not withstanding, it’s obvious that Dave Grohl still believed in what Kurt Cobain was all about, and missed him dearly. Still very much in the realm of Grunge, none the less the band was beginning to move away from the style in ways that helped things evolve. People that hated Grunge might actually like this, and for anyone else interested, it’s worth your time & money.

Foo Fighters gets a 9 out of 10. Take out the final track, and I might make it a 9.5 out of 10. Maybe a full 10 out of 10 if I’m feeling nice about things.

And that was my review for the first Foo Fighters album. Again, if it wasn’t for the last song, I would say it genuinely perfect. As Grunge’s end was coming 2 years after this record’s release, it seemed only right to move away yet stay artistically inclined. So, join me at the end of the month for another Post-Grunge review. Until then, take care! 

3 Grunge Albums You Should Own

Hello fellow Otaku & Metalheads, and welcome to part 3 of the Summer of Grunge!

A week ago, I looked at Nirvana’s final album, In Utero. Their most raw & personal album, it managed to be quite the commercial success while still being original and unique. However, like I said in that review, it would ultimately be their last, as a year later Kurt Cobain took his own life. Just a few short years after that, Grunge would no longer be in the spotlight, which was probably a reason to celebrate for elitest metalheads that made the genre out to be the Anti-Christ. Yet, many still look at the music fondly, and I certainly have this summer. So before I look at some Post-Grunge music, I though it was appropriate to make a list briefly talking about some Grunge albums that belong in your collection. This will be a little shorter than some, since I want 1 album from each month. One pre-Grunge, one Nirvana album, and one post-Grunge. Each choice here was deliberate, and perfectly shows off the power of what the genre could do. Let’s not waste anymore time, and take a look at 3 Grunge Albums You Should Own. Let’s begin!

1) Green River - Rehab Doll (Song)

Gluey Porch Treatments from the Melvis crawled & walked, just for Green River’s only album to run like hell. Rehab Doll took everything from the previously mention record, and refined every single aspect that might not have been perfect. The end result became the record I talked about back in June: a refined yet still in your face release that showed off what the burgeoning style was inspired by. It might come across as dated almost 40 years since it’s release, but it’s obvious to even casual music fans that there was definitely something special with Rehab Doll.

2) Nirvana - Nevermind (Song)

On a list of Grunge albums you should own, it would be insane to not have Nirvana’s second release here. Like I stated last month in my review, nobody was prepared for the cultural earthquake & it’s aftershocks when Nevermind was released. Bleach might have been their inaugural debut, but it was Nevermind that truly showed off what the band was about: a musical genre that wasn’t about generating a fantasy, and instead decided to sing about real things that mattered to more people than the haters are willing to admit. Nearly 35 years after it’s release, Nevermind continues to be a pinnacle of Grunge music, and nearly 35 years later, people remember why Kurt Cobain was such a legend.

3) Foo Fighters - Foo Fighters (Song)

So, this is a bit of an interesting release. Put out a year after Kurt’s suicide, it seems a little too soon to call this album Post-Grunge. With the genre still popular (Though not for much longer), it comes across a quickly trying to brush things under the rug. Yet, the inaugural album from the Foo Fighters is exactly that: a move away from Grunge, yet still has one foot planted within the past. There’s still a Grunge attitude & vibe, but different sources of inspiration were being brought in to diversify the music, and the sound seems more refined than before thanks to improved production. In short, a great album that spearheaded an off-shoot of a musical movement, but the start of a remarkable career in it’s own right.

And those were 3 Grunge albums that should be in your collection. All of them are wonderful, and all of them are worth your time. Whether you’re a long-time fan of Grunge, or you’ve always been curious about it, try at least one of these. So, with that out of the way, I’ll see you all around in a few days, when I’ll look again at Foo Fighters’s debut album. Until then, take care! 

Album Review: Nirvana's In Utero

Welcome to the final look at Nirvana fellow Otaku & Metalheads!

At the beginning of this month, we looked at Bleach. Jumbled in places, but a nice start. Then on the 15th, we took a gander at Nevermind. An absolute musical colossus, it cemented itself as the pinnacle & face of Grunge. Now, on the last day of July, we look at what would ultimately & tragically be their final album. A record that might very well be the most personal out of all of Nirvana’s releases, and one that might leave a scar on some listeners. Let’s not waste anymore time, and take a look at my review for In Utero. Let’s begin.

Background
Taken from Wikipedia:

“Nirvana broke into the mainstream with their second album, Nevermind, in 1991. Despite modest sales estimates, Nevermind was a major commercial success, popularizing the grunge movement and alternative rock. Nirvana expressed dissatisfaction with the sound of the album, citing its production as too polished. Early in 1992, the singer, Kurt Cobain, told Rolling Stone that the next album would showcase "both of the extremes" of their sound, saying: "It'll be more raw with some songs and more candy pop on some of the others. It won't be as one-dimensional." The producer of Nevermind, Butch Vig, said later that Cobain had needed to work with a different producer to "reclaim his punk ethics or cred".

Cobain wanted to start work in mid-1992, but his bandmates lived in different cities, and Cobain and his wife, Courtney Love, were expecting the birth of their daughter, Frances Bean. Nirvana's record label, DGC Records, had hoped to release a new Nirvana album for the 1992 holiday season; instead, they released the compilation album Incesticide.

In a Melody Maker interview published in July 1992, Cobain said he was interested in recording with Jack Endino, who had produced Nirvana's 1989 debut album Bleach, and Steve Albini, the former frontman of the noise rock band Big Black, who had produced various independent releases.[16] In Seattle in October 1992, Nirvana recorded several demos with Endino, mainly as instrumentals, including songs later rerecorded for In Utero. Endino recalled that they did not ask him to produce their next record, and that they constantly debated working with Albini. 

Nirvana recorded another set of demos while on tour in Brazil in January 1993. "Gallons of Rubbing Alcohol Flow Through the Strip" was recorded by Craig Montgomery at BMG Ariola Ltda in Rio de Janeiro, during the three-day demo session. It was originally titled "I'll Take You Down to the Pavement", a reference to an argument between Cobain and the Guns N' Roses singer Axl Rose at the 1992 MTV Video Music Awards. 

Nirvana chose Albini to record their third album. Cobain said he chose Albini because he had produced two of his favorite records, Surfer Rosa by the Pixies and Pod by the Breeders. Cobain wanted to use Albini's technique of capturing the natural ambience of a room via the placement of several microphones, something previous Nirvana producers had been averse to trying. 

Albini was known in the American independent music scene for his criticism of the mainstream music industry and had a strict preference for analog recording rather than digital. He sent a disclaimer to the British music press denying rumors of his involvement with Nirvana, only to receive a call from Nirvana's management a few days later. Albini dismissed Nirvana as "R.E.M. with a fuzzbox" and "an unremarkable version of the Seattle sound". However, he accepted the job because he felt sorry for them, perceiving them as "the same sort of people as all the small-fry bands I deal with," at the mercy of their record company.

Before recording began, Nirvana sent Albini a tape of the demos they had made in Brazil. In return, Albini sent Cobain a copy of the then-unreleased PJ Harvey album Rid of Me to give him an idea of the acoustics at the studio where they would record. Albini said that Cobain was impressed with the sound of Harvey's vocals on the album, "He really liked the way her singing came across. He was a fan."

In Utero was a major critical and commercial success. Critics praised its lyrics and raw, unconventional sound. It reached number one on the US Billboard 200 and UK Albums Chart; "Heart-Shaped Box" and "All Apologies" reached number one on the Billboard Modern Rock Tracks chart. The album is certified 6× platinum in the US for 6 million sales and has sold 15 million copies worldwide.”

Basic Description
Unfiltered, Raw, & Personal.

More than any of Nirvana’s other albums, In Utero is the record that’s the most illuminating. Nevermind gave us a small peak inside Kurt’s mind, but this release throws the doors wide up for all of us to see. This is not a pretty record: it is uncomfortable, it is not very pretty for the most part, and there is nothing that’s left up in the air when it comes to what kind of emotions that are going to assail you when you listen to this release. At times maybe we’re given too much of a glimpse into what Kurt was feeling (More on that a little later), but regardless, the end result is Nirvana’s equivalent of World Coming Down, and that’s a plus if you ask me.

Best Track
I’m kind of a sucker for Heart-Shaped Box. The Nirvana equivalent of Alice In Chains’s classic Man In The Box from 3 years prior, it’s a potent song that feels like something you’d listen to with the lights down. It’s gently raining outside, you’re sitting in your living room, you’ve been going through a lot recently in the emotion department, and you have a glass of bourbon or scotch on the coffee table comforting you. This is another song from the band that fluctuates between soft & hard instrumentation and vocals, yet at no point does the train fly off the tracks. Even before I listened to In Utero for the first time, I was always able to recognize this song when it played on the radio. I just never knew the name.

Heart-Shaped Box

Worst Track
Big of a tie between two time-wasters. Very Ape & Tourette’s both play for just under 2 minutes (1:56 & 1:37 respectfully), and while not necessarily lacking in intensity, these tracks feel like they were put on the album just to fill for time. Tourette’s is a little worse in this regard, as it’s the 2nd to last song of the album, and feels like a small slap to the face.

Very Ape

Tourette’s 

Aside from that, In Utero’s only other fault lies with how personal it gets. Bleach got the ball rolling, and Nevermind gave us a small glimpse into Kurt’s psyche, but this record gives us perhaps a little too much of what was he was feeling. He went on record saying that In Utero was the most personal of the albums, and it certainly shows, but even then he may have taken one step too far, and the end result is an album that’s definitely great quality wise, but delves into the black a little too much.

Other
If you’re curious about listening to this album, click on the link below:

In Utero

Overall Impression & Rating
In Utero was an emotional titan upon it’s release, and still remains one today. Sure, we might have been given too much of a glimpse into the mind of Kurt Cobain, but it was a darkly illuminating glimpse none the less. Everything we felt as we listened to the album all came from the most damaged parts of Kurt’s psyche, and even over 30 years later there’s leftover energy floating in the ether. If this was Kurt crying out for help, then he truly must not have been doing well mentally at the time. So if you’re someone who likes more emotional music, then In Utero is for you.

In Utero gets an 8.5 out of 10.

And that was In Utero. I liked it less than Nevermind, but certainly more than Bleach. It’s certainly an album not to avoid, but it’s intensity might be a little too much for some. Like I said above, if you’re able to handle more emotional music, then you’re going to love this album. Sadly, tragedy would ultimately strike the face of the Grunge movement, as on the 8th of April in 1994, he was found dead in the Greenhouse of his home in Seattle at just 27 years old due to a self-inflicted shotgun wound to the head (The police concluded that he did the deed 3 days prior). His passing sent shockwaves among his fans, who treasured his music as something that helped them get through their lives, and many in the music world were affected by his death as well. Yet, even with his presence no longer on this Earth, and with Grunge fading away by the late 90s, it would still somehow exist in a sense. See you all in a day or two, when I’ll begin the final leg of this journey covering some Post-Grunge bands. Be back soon!

Convention Review: Connecticon 2026

Connecticon 2026 is in the books fellow Otaku & Metalheads!

This year’s con was.....conflicting for me. On the one hand, I had a great time like always. This convention holds a special place in my heart, as I’ve been going for nearly 20 years now. It always provide me warmth & comfort, and I never have to travel far from my home to go. However, there was a wrench thrown into my little vacation. A fairly good sized wrench, if I’m being honest. Enough to the point where it ruined things for me a little. How much you might ask? Well, sit back, relax, and look at my review for Connecticon 2026. Let’s begin.

Good Points
The Dealer’s Room & Artist Alley remains a giant fixture of Connecticon, and while I do have some negative things to say, it’s still a massive maze of commerce. Just about anything you can think of that’s associated with con merch, it’s here. The once-a-day merchants also returned, and for the first time this year, I snagged a little bit of merchandise from one of the booths. It is a shame that they don’t set up shop in the main area, because many of they definitely rivals a few of the established booths with how good their stuff is. 

I will always champion the Food Trucks that setup show just outside the convention center. They’ve been an absolute blessing since I started going to them in recent years: They’re not too far away, and are relatively inexpensive when compared to some of the local restaurants. The variety is also fantastic: poutine, pizza, chicken tenders & fries, and plenty of food from other cultures. Not only that, but there are still plenty of vegan options I mentioned about last year, and pricing still continues to be reasonable (Highest priced item I saw was $21.50), so they’re right there if you need them!

Cosplay Championship Wresting’s is a focal point for me when I come to Connecticon. This year is especially important for them, as 2026 marks half a decade since they’ve been coming to Hartford. Every single wrestler that performs for us is phenomenal for a smaller federation, and they also manage to embody the character they play that’s just delightful. They were doing shows the whole weekend (Save for Thursday for obvious reasons), and at no point did it look like they were tired, or if they were they didn’t show it.

Finally, the panels hosted this year were on game as always. As usual I didn’t have time to go to a horde of them, though this year I went to a few more than I normally do. The annual chicken eating contest was hilarious, the AMVs were wonderful, Jon St John’s Sexy Late Night Party is always a must, and the Cosplay Deathmatch provides a bloody good time. This year, I happened to go to a lot of drag queen events that were hosted. Drag Queen D&D, a Cabaret show, and Drag Queen Bingo. I did not know that they’ve been at the con since 2015, and I’m kicking myself for not going for so long!

Btw, this is the only year (so far) that I have not stayed at the Mariott for the convention. As to why.....just look a little further down.

Okay Points
This seems to been a pattern for the past 2 or 3 years (which is something I’ve talked about in the past 2 years I believe), but Connecticon’s dealers room didn’t have as much of an anime & manga selection. Otaku Joe’s was there, and they were fantastic like always, and there was the one normal manga seller & 18+ seller, but it has been odd seeing less of this kind of stuff to purchase. Even the size of the dealer’s room seems to have shrunken a little bit this year, but to play devil’s advocate, the artist’s alley was folded in, and because of that the space still feels pretty big, even if it doesn’t always have what someone is looking for.

Bad Points
This is one of the few times you’ll ever see my blood boil. Connecticon has always been phenomenal in my eyes despite the rating I might give. However, 2026 marks the first time that, to a certain extent, I gotta take a pound of flesh out, so here I go.....

2026 marks the first time that I did not stay in the Marriot. As usual once the rooms were available, everybody swarmed in like Ghengis Khan’s Mongolian Horde, and swiped out all the rooms. My buddy instead got a hotel about 10 minutes away (The name escapes me as I type this), which wasn’t that far away, so I had no issue. This past Wednesday or Thursday, quite frankly at the VERY last minute, they tell my buddy that due to a busted pipe, the room wasn’t available anymore. In a flash, my buddy managed to find one that was 18 minutes away, and required some bus travel. I confessed I huffed for a moment, but still thanked him profusely. However, that all kinda changed once we got there. 

My buddy found the Capital hotel, and by god we all hated it by the end! For starters, it has no-where near as many amenities when compared to the Marriot. The room is smaller, the beds & pillows aren’t as comfortable, and the bathroom was more claustrophobic. This resulted in me having the worst f!@#ing sleep I’ve ever had since my first con in 2009, as I got only a little over 2 hours from Thursday going into Friday. It didn’t help the fact that a guy accidentally opened our room with his key a few hours prior, but thankfully that situation was fixed especially fast, and from Friday into Saturday & Saturday into Sunday, I had considerably better sleep (Probably because I had some liquor on both days). Even the free breakfast, as tasty as it was, did not compare to what the Mariott had. Fortunately, the staff at the Capital were wonderful, and at the very least didn’t make me want to scream. Hopefully when the rooms open up for 2027 at the Marriot, my buddy catches a lucky break.

Final Thoughts & Rating
Connecticon 2026 is one of the rare times I’ve been going for nearly 20 years where I didn’t have a completely great time. Make no mistake: while I was at the convention itself, I was having a great time! It was a blast to see everyone, it was a blast to participate as many events as I did, and it was a blast to escape the horrors of the world. However, what impacted this so much was the damn hotel. My time there was horrible for the most part, and if anyone sees this, then I beg you don’t go to the Capital hotel. Again, there’s good workers there, but even good workers can’t exactly save a busted ship. Still, more often than not, I was smiling the whole time, so I can’t complain too much.

Connecticon 2026 gets a 7.5 out of 10 because of the hotel. Taking the hotel out of the equation? Give it an 8.5 out of 10.

And that was my review for Connecticon 2026. More conflicted that most of the other times I came to Hartford, I still enjoyed the positive energy once I got to the convention center. I can only hope that 2027 & beyond will be fantastic. So with that done, I got 1 last look at Nirvana at the end of the month. See you all on the 31st!




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If you’d like to see what I thought of last year’s con, click on the link below:

Convention Review: Connecticon 2025