Friday, August 17, 2018

Album Review - Type-O Negative's Bloody Kisses

Hey there fellow Otaku & Metalheads!

Seems like there’s plenty of music anniversaries this years. Plenty of 30 year anniversaries, and a few that turned 15 years old. Back in June, Type-O Negative’s Life Is Killing Me had it’s 15th anniversary, and today another of their releases has it’s birthday. More specifically, it’s the 25th birthday of the band’s first full-blown Gothic Metal record, and by god is it good! So sit back, put on your Black No. 1, and enjoy my review for the iconic Bloody Kisses. Let’s begin!

Background
With Slow Deep & Hard garnering Type-O Negative some fame from those that listened to it, Roadrunner Records were convinced to push the band a little more. At first it didn’t go so well (See below for details), but eventually this gave the group some energy. At first they produced the fake live album The Origin Of The Feces, but then they released a bombshell by the name of Bloody Kisses. Recorded at Systems Two in Brooklyn, Bloody Kisses was the first album on Roadrunner Records to achieve gold and platinum certification. Steve Huey of AllMusic gave the album a 4.5 out of 5 and wrote that "though it sounds like a funeral, Bloody Kisses' airy melodicism and '90s-style irony actually breathed new life into the flagging goth metal genre", Rock Hard from Germany gave the album a 10 out of 10 rating, and Loudwire called Bloody Kisses their best album of 1993.

Basic Description
Gothic Metal Cornerstone!

As fantastic as the band’s first two releases, they weren’t exactly Gothic. Not a hundred percent at least. Bloody Kisses changed all of that: forgoing the punk & hardcore elements of Slow Deep & Hard (Not to mention The Origin Of The Feces if you count it), Type-O Negative truly delved into Goth territory. From cemeteries, to black no. 1hair dye, to dark sensuality, and combined with Pete Steele’s typical dry wit & humor, this album really feels like it’s miles apart from the ones that came before. The instrumentation is perfect, and the vocal work from Pete & the rest of the gang is top notch. All of these elements make Bloody Kisses really incredible, and is yet another example of metal not dying in the 90s.

Best Track
Summer Breeze comes out of nowhere on Bloody Kisses. Taking the iconic Seals & Croft song, Type-O Negative swaps out the happy summertime vibes, and instead replaces it with summertime gothic sensuality & Pete Steele’s dry wit. Ironically, the band had got in trouble by attempting to create a more vulgar interpretation of the song (See here). After Seals & Croft told the band to knock it off, Type-O Negative just redid the original song.....and Seals & Croft still complained. That alone makes this version more superior in my mind, and it should in your mind as well.

Summer Breeze

Apart from that, I had to give a shout out to two songs that definitely know how to rile people up. First, we got Kill All The White People. An ode to some of the anti white people sentiments brought up by some black militant groups, Type-O Negative really managed to conjure up the negative feelings that said groups were feeling. Second, there’s We Hate Everyone. In the earliest years of their career, the band was accused by a variety of groups (Some left, some right) of being sexist & Nazis. Getting pissed at these accusations, the band decided to make this song, raising a middle finger to both sides of the fence.....I can appreciate that!

Kill All The White People


We Hate Everyone

Worst Track
Nothing. None. Nada. Zip. Zilch. Bloody Kisses has no bad songs on it. Nuff said!

Other
If you’re curious about listening to this album, then check out the link below:

Bloody Kisses

Overall Impression & Rating
Bloody Kisses is just wonderful. From the beginning notes to the final vocals, you are listening to one of the most iconic Gothic Metal releases ever. Sure there was a little bit before this album, and some even in the same year as this record, but very few can stand right alongside this CD (Paradise Lost’s Icon comes immediately to mind). If you have an afternoon available for yourself, find this album, and let Pete Steele and the rest of the Type-O Negative crew take you to gothic paradise. You won’t forget the trip!

Bloody gets a 10 out of 10. It earns every point!

So that was my review for Type-O Negative’s first full-blown Gothic Metal release, Bloody Kisses. Spearheading the emergence of a metal subgenre that could have only come from the 90s, it has endured the years with incredible aplomb, and is still held up by fans as one of the many pinnacles of the style. Well, with this review done, I’m taking a break for the rest of the month, as I’ll be working on posts for the 4-year anniversary of this blog. See you all in September!

Monday, August 13, 2018

5 Industrial Albums You Should Own

Welcome to the end of Industrial Metal Insanity fellow Otaku & Metalheads!

It’s that time in every one of these music festival hosts that I show off some albums that are essential for their respective genres. I confess this list will be strange, as some of the records in question might not be as widely known as others within the Industrial Metal fandom. Regardless, all of the releases on this list are worthy of your time, and worthy of being in your collection if you acquire them. With that said, here are 5 Industrial Metal albums you should own. Let’s begin.

1) Laibach - Opus Dei (Sample Song)
I had a hard time figuring one which of the 3 bands from part one of Industrial Metal Insanity to put here. I knew right away that Throbbing Gristle wasn’t going to be on here, but choosing between Laibach & Nine Inch Nails was a little tricky. Ultimately, I decided to have Laibach take this spot, as while Pretty Hate Machine had all the bells & whistles of an Industrial Metal group, Laibach felt like one more. Opus Dei may not have any metal in it, but the band really cranked up the Industrial with their 3rd release. Better production quality & better sound when compared to other 80s Industrial music guaranteed that it would stay in people’s memories. If you want to hear one of the progenitors of this genre, then Opus Dei is a perfect place to start.

2) Minister - Psalm 69 (Sample Song)
I was incredibly tempted to put Rio Grande Blood here. If you saw my Ministry overview (Which you can read here), not to mention my review for the album from last month (Which you can read here), you know I speak quite fondly of it. Putting objectivity into the equation, I decided to put their first release of the 90s on this list instead. The first full-blown Industrial Metal album, Psalm 69 really blew people’s minds away back in 1992, and served as a launching pad for many Industrial bands in that decade. Like Opus Dei it has weathered the decades well, and is really something potential Ministry fans should try. You won’t regret it!

3) Samael - Passage (Sample Song)
Of all the Industrial Metal bands I’ve discovered, none have ever intrigued or fascinated me quite like this group from Sion, Switzerland. First starting off as a Black Metal band, they became something more once they began to incorporate Industrial elements, and by the mid 90s, they merged into a full-blown Industrial/Black Metal group. Even over 2 decades since it’s release, Passage has been praised for pushing the Industrial Black Metal style into the spotlight. If you happen to like your Black Metal a little more electronic, you might like Passage. Give it a go, and see what you think.

4) Rammstein - Mutter (Sample Song) & Turmion Kätilöt - Dance Panique (Sample Song)
I genuinely do the best I can to not do ties on these lists (Ironic, given who’s at 5). I really do! However, when the time came to make this post, these two bands had to be here. First up is Mutter: the very first time I ever heard Industrial Metal, much less a metal band from a foreign country, I was hooked immediately. As I stated in my review at the start of this month (Which you can read here), this was a completely new musical experience for me. It’s moments like that you don’t feel often in life, but when you do it’s magical.

Turmion Kätilöt, on the other hand, are kind of different. I didn’t discover them on my own, but rather were suggested to me by an acquaintance of mine way back in my college days (A friend at the time was directed towards this band as well). Whereas Rammstein was a well-oiled machine, Turmion Kätilöt was a chaotic mass of pain, sensuality, and fun. Their latest album (Soon to be replaced by their record coming out in September this year), Dance Panique really personifies this. From the title track all the way to the ending song, you are in for a really wild ride. In fact, I use the music video as an intro to a rather risque series of panels I host. Given what’s in the video, you shouldn’t be surprised.

5) Kreator - Endorama (Sample Song) & Septicflesh - Revolution DNA (Sample Song)
I’ve already kind of touched on this first album back in my 5 Thrash Albums You Should own (Which you can see here), so I won’t repeat every single detail here again. I will say that for a band that transitioned from Thrash Metal to Industrial Metal (With some Gothic Metal hints), Kreator did it surprisingly well. There’s bare hints of Thrash on Endorama, but they’re so minor that it’s incredibly hard to tell. Regardless, give Endorama a try, and see if it makes it to your collection.

Revolution DNA is kind of in the same boat. Since the Ophidian Wheel, Septicflesh experimented with newer styles. First they began with Gothic Metal, and by the late 90s embraced Industrial Metal as well. The end result is an album that knows exactly what it is, but at the same time doesn’t necessarily forget when the band first came from. The record is really interesting to listen to, but it’s such a shame that outside of Septicflesh’s fans (Or Industrial Metal fans in general), Revolution DNA isn’t really well known.

So these were 5 Industrial Metal albums you should own. This metal subgenre isn’t for everybody. Not by a longshot! However, if one was to get into the style, then anyone of these albums were probably the gateway into one of the more unique styles of Heavy Metal. So with that, our 3rd music festival is now closed, and I hope you had a lot of fun. See you all in a few weeks, when one of the most essential Gothic Metal albums has it’s 25th anniversary. See you then!


***
For my review of Revolution DNA, check out the link below:

Revolution DNA (Review)

Monday, August 6, 2018

Album Review - Rammstein's Reise Reise (Japanese Edition)

Welcome back to my Rammstein reviews fellow Otaku & Metalheads!

I’m still surprised that I took me this long to do reviews from the first ever band I covered in my overview series. Rammstein is a band that just about anybody who’s a fan of Industrial Metal in the United States, and to not cover them after giving them such a big look at the start of 2015 is a crime in my opinion. Last week I covered the album that brought me into the Rammstein fold, and today I’m taking a look at the record that gave the band some new energy. So get your survival gear & compass, make sure you’re bundled up, and enjoy my review for the 2004 hit Reise Reise......or more specifically......the 2005 Japanese Edition of Reise Reise. Let’s begin!

Background
With the release of Mutter, Rammstein had become a smash success. With many of the songs become fan favorites here in the states, it would seem likely that the band would be stronger than ever. Sadly, there were issues within the group: tensions seemed high, and at times it appeared as if they were moments away from breaking up (It was during this time that Richard Kruspe began to form the basics of Emigrate, which I’ll cover in it’s own mini-overview eventually). To prevent this, they decided that a break was in order so that splitting up wouldn’t occur. And so for a small few years they went their separate ways, but never forgot that the fans were out there. Getting back together, they made their way to El Cortijo Studios in Spain, and from 2002 to 2003, recorded what would become their next release, and on September the 24th, 2004, Reise Reise was released.

Taken from Wikipedia:

The album was recorded in Spain (El Cortijo Studio, Malaga) and produced by Jacob Hellner and Rammstein. The band recorded several songs during the sessions for "Reise, Reise" which were omitted from the album's final track listing and were later released on their follow-up album Rosenrot. A statement from the band's management regarding the upcoming collection reads as follows:

After the production period of the album, there were many songs which did not find a place on 'Reise, Reise' due to dramaturgical reason but are now completed. This is not unusual. As 'Ohne Dich' derived from the production of 'Mutter', many songs have been sitting to be completed for a year and shall now come to light. Which songs remains to be seen and is up to the band only.

The record company stated:

"When we were introduced to the tracks of "Reise, Reise", many fascinating songs were among them, which were suddenly missing on the album. Among others I remember one song, which we all believed to be the first single of the album. The song was "Rosenrot", and when we had to realize that the band changed their minds and it did not even make it on to the album, we were speechless. The album was perfect nevertheless, but their enormous self-confidence surprised us."


The reception for Reise Reise was mixed from music critics. David Jeffries from Allmusic gave the album 3 out of 5 stars, stating that the content "is more of the same: the same grit, the same growl, and the same dramatic, orchestra choruses" and that “the lead single, "Mein Teil" is no "Du Hast" but the damning "Amerika" almost equals their breakthrough track”. He goes on to say that there was a bit more ingenuity in the production and a little more focus in the songs but it wasn't "enough for the nonfaithful to pick up on". Vaz Malik from the BBC also gave Reise Reise a mixed rating, saying that the band could probably be "a lot bigger" in the United States if they opted to sing in English, but "German sounds a lot more threatening and it's done them no harm in their homeland". PopMatters writer Tim O'Neil gave the album a favorable review and said: "for those with the patience to look beyond the "Teutonic bluster" and punk insouciance, "Reise Reise" will be a uniquely rewarding experience."

Reise Reise managed to sell 26,716 copies in the United States in its first week of release in November 2004, managing to snag the no. 61 on The Billboard 200 chart. It also managed to get into the top 10 charts in several European charts and reached number one hit in Germany, Austria, Switzerland, Iceland, Finland, Estonia and Mexico. As of February 2006, Reise Reise has shipped 1.5 million copies globally.

Background (Part 2)
Okay, here’s where things get dark.....really dark.

Rammstein typically gets their inspiration from a lot of sources. Famous lunatics, politics, and many other more grim & serious things. However, with Reise Reise, they got their travel & exploration theme from the disastrous Japan Airlines 123 crash. On August 12th 1985, the flight in question would suffer a serious catastrophic malfunction due to faulty repair work (The plane in question got into an accident 7 years earlier). The faulty repair work in question would cause rapid decompression, ripped off a large portion of the tail, and caused the loss of hydraulic controls to the entire plane. The plane would crash into the area of Mount Takamagahara, Ueno, Gunma Prefecture, 100 kilometers (62 miles) from Tokyo thirty-two minutes after taking off. All of the crew were killed, and 505 out of the 509 passenger would die as well. It was considered one of the worst aviation disasters in Japan’s history (The 2nd was the 1977 Tenerife airport disaster), one of the worst Boeing 737 disasters, and is still considered the worst aircraft disaster in all of flight’s history, even in 2018. So what else does this have to do with Rammstein you ask?

In addition to using this disaster, the band used the final 30 seconds of 123's black box, and made the album cover to look like a black box (With the words “Do Not Open” on the front of the cover). Not necessarily wanting to cause a stir in the land of the rising sun, they took out the 30 seconds, replaced the album artwork with a slightly modified version of Rosenrot’s artwork (Which they would reuse again on Rosenrot itself), and put on 2 remixes of songs to replace what was taken out. Ironically, Reise Reise would get re-released in 2009, complete with the original artwork & 30 seconds of audio, but keeping the remixes on. That version I’ve never been able to find. Here's what the American/European one looks like:
Basic Description
Familiar yet different.

I found it strange listening to the American & Japanese edition back to back. Outside of some small elements, they’re practically the same. The same songs, the same amount of songs, and for the most part the same running time (More on that below). If they’re so similar, then why do I seem to like this version more? I’m not exactly sure. I didn’t feel any different listening to the Japanese version when I compared it to the American version.....but it’s the little things that charmed me. Using alternate artwork, taking out some audio, and replacing said audio with special songs, almost makes it feel like I’m listening to a completely different album. It’s really something to experience oddly enough, and I challenge anybody who reads this to listen to both version back to back. Maybe you’ll feel the same way I did when I was done.

Best Track
I gotta give some love to Amerika for being the best track. Though I especially enjoy the English translated version (Which you can listen to here), I admit that the original version still charms me on occasion. For the longest time, I always thought that this song was a positive look on the United States. Sure some of the imagery was a little odd, but overall I thought it was positive. After doing some research, and brushing my ignorance off, I realized that I was a negative look at the U.S., or more specifically how the U.S.’s culture can overwhelming many other cultures of the world. I admit at first I was offended, but getting some flashes of our then president George W. Bush shortly after......that offense quickly went away.

Amerika

Since I’m covering the Japanese edition of this album, I gotta talk about the two bonus tracks. Since the 2005 Japanese version had the black box audio taken out, some other material was put in as a substitute. For starters, we got a funky remix of Meil Teil done by the Pet Shop Boys (An iconic group in their own right), and a alternative edition of Amerika. Called the “Digital Hardcore Mix”, this version seems a bit more aggressive, and is a little more likely to go for the jugular than the original.  Like I said earlier, taking out some audio, replacing it with different material, and creating a brand cover really does make for something new. While these two remixes do make for a slightly longer album, it’s strangely worth it.

Meil Teil (Pet Shop Boys Remix)

Amerika (Digital Hardcore Mix)

Worst Track
Absolutely nothing! Whether it’s the American, European, or Japanese edition, Rammstein really crafted a perfect album. From top to bottom, every song is great to listen to, even if some aren’t my favorite. The only real fault lies with the Japanese Edition, and I think you all know where this is going. Coming out in 2005, this edition is well over a decade old (It’s 13 years old at this point), and finding it online for purchase is next to impossible, especially in an American market. I was fortunate to find a few copies on Amazon way back in 2010, and my Grandmother on my Mom’s side bought it for me for I think close to 40 dollars (That’s with tax included I believe), which is actually cheap considering how expensive other Japanese releases of western albums can be. Finding a link to download this version isn’t impossible, but finding a reliable link can be tricky.

Apart from that, the only other thing one could complain about is that the Japanese Edition is basically the same as that of the American and European. Some fundamental aspects are most definitely different, but overall nothing is really different about the music. To be honest, the only reason to get this version besides the extra tracks, is purely for collecting.

Other
If you’re curious about listening to this album, then check out the links below:

Reise Reise (1 Song Is Missing)

Overall Impression & Rating
Reise Reise in and of itself is a great album. Rammstein really felt like a refreshed band when they released it, and it shows by how incredibly well aged it is. The Japanese Edition is pretty much in the same both. Despite basically being the same thing, it’s the little stuff that was tweaking & changed & added on that really give it an identity of it’s own. If you’ve got the cash to buy a copy, or at the very least know of some music sites with a possible download link, it really is worth pursuing.

Reise Reise: Japanese Edition gets a 9 out of 10.

So this was the last review of Industrial Metal Insanity, and it ended on a high note. Reise Reise has really become the gold standard out of all of Rammstein’s albums, and there’s a reason you hear the title track at their shows. Whether it’s the American, European, or Japanese edition, you’ll have one of the 2000s’s best metal albums period. I’ll see you all next week, when I’ll show off some Industrial Metal albums that are essential for one’s collection. See you then!


***
If you’re curious about the events that led to the crash of Japan Airlines 123, along with the subsequent black box recording, then check out the links below:

Japan Airlines Flight 123 (Wikipedia)

Japan Airlines Flight 123 Black Box (Youtube)(The Final 30 seconds is what’s on the American/ European album)

Wednesday, August 1, 2018

Album Review - Rammstein's Mutter

I’m genuinely shocked at myself fellow Otaku & Metalheads.

I am shocked that it took me over 3 years to cover this band. 3 years to put one of my favorite groups on stage for a moment, and 3 years to finally talk about them. Given that the first ever overview I made covered these guys, I’m amazed that it took me this long to cover these guys in a couple reviews. Give that I used the number 3 three times, you probably guessed that I’m covering Rammstein.

That’s right, the final month of Industrial Metal Insanity is dedicated to these 6 Teutonic titans! One of the most recognizable acts in Industrial Metal, Rammstein has left a legacy of music that has withstood the test of time. For over a decade & a half, they have toured the world & left a mark upon each & every concert goer, and for people in the United States, they are high on the totem pole of musicians in this genre. Although I wasn’t subtle with my hint of who I was going to cover in August, I felt that the time was right to cover my number 3 band of all time. So sit back, get into the rhythm, and enjoy my review for their first release of the 2000s, Mutter. Let’s begin.

Background
The 90s were the proving ground for Rammstein. Overcoming stereotypes in their native Germany, they cranked out 2 fantastic albums, and managed to put out a decent live release. When they were in the sight of U.S. metal fans, they immediately became permanent fixtures, and people wanted more. However, nobody was prepared for the shockwave that was Mutter! From September to December 1999, the band rented the house Weimar in Heiligendamm on the Baltic Sea for pre-production and the sound recordings took place from May to June 2000 at Studio Miraval in southern France. In December of 2000 they release a video for Links 2 3 4 on their website & in January of 2001 a video for Sonne was put on there as well. Finally, on the second of April in 2001, Mutter was released to the public.

Reception for Mutter was pretty high back in the day. It reached 77 on the U.S. Billboard 200, and no. 1 on Germany’s Offizielle Top 100. In 2005 it was ranked number 324 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time. In a 2016 article published by uDiscover, writer Oran O'Beirne described the album as "one of the most important contemporary releases within heavy metal’s many subgenres.", and in an interview in Noizr Zine, producer and musician Peter Tägtgren had this to say about Mutter as a reference work for producers who were just starting their career:

I think, if you are not into death metal or something like that, but if you are into metal, I would say maybe Rammstein’s "Mutter" is very good, because it has a lot of different elements, it has orchestra parts, heavy guitars, good drum sound — that could be a good reference.

Basic Description
A Pleasant Surprise

If there’s one thing I noticed about discovering bands by accident, it’s that 9 times out of 10, you will like a band this way. Whether it’s due to an impulse buy at your local music store, or seeing something odd in your Youtube suggestion section, or hearing something random come on the radio (A rarity nowadays), you will enjoy an accidental music discovery, and I most definitely did in the case of Mutter. I was 15 at the time I discovered my favorite track off this album, and my folks (Mostly my Mom) were lessening the restraints on what I was allowed to listen to. Mutter felt like the first “Mature” record in my music collection, despite not having a warning label. Not only that, but it was a form of Heavy Metal I wasn’t really familiar with. I can’t describe this release any further, and the only thing left I can say is to seek this out & give it a listen to.

Best Track
I think Ich Will is the best song of this album. Probably a lot of people from my generation got into this band because of this song, whether they were directed towards it, or found it by accident (I belong into the 2nd category). When I first heard it on the radio (On a long defunct radio channel), I was awed! I knew it was metal, but it was metal I never heard of before. I never heard such beats, rhythms, and effects before. Even Till Lindemann’s singing was completely new to me, as it was sung in a language I didn’t really hear much beforehand (Cue “Dumb American Doesn’t Know What German Is” joke & wait for laugh track). This new sensation told me to go along with these guys, and see what new things are down the road. Needless to say, it was definitely worth it.

Ich Will

Worst Track
Like I said back in my overview, Mutter has not weathered the years since it’s release. To be honest, Rammstein’s earliest material has not aged the best when compared to their later material (Listen to Herzeleid & tell me otherwise). The recording technology used to produce this album makes the whole thing sound a little dated, and some of the effects seem a little corny. However, in defense of their 1st entry into the 2000s, it has aged the best out of their first period. The recording technology of the early 2000s far surpasses what was available in the 90s. The music sounds smoother, and the sound effects just come across as higher quality. Again you can still tell it’s age, but it’s aged the best out of Rammstein’s 1st period of music.

Other
If you’re curious about listening to this album, then check out the link below:

Mutter

Overall Impression & Rating
Mutter is an Industrial tour-de-force of the 2000s. Though it shows it’s age, it holds up better when compared to other Industrial Metal albums of the late 90s/early 2000s. It brought me into the world of Rammstein, and acted as a hub for me to discover other bands in the genre. Even upon discovering other Industrial bands, I never turned my back on the album that pulled me in. I bet than many other fans who found this album feel the same way.

Mutter gets an 8 out of 10.

So that was Mutter. Their first album of the 2000s, it showed that these Teutonic badasses were here to stay. However, conflict within the band sent the various members to blow off steam, but 3 years later they would comeback even stronger than before. So join me next week, when we’ll take a look at their 2004 return....but with an Asian twist!