Getting grungy now fellow Otaku & Metalheads!
While it might seem like the genre came out of nowhere once it hit 1990, the truth is that he had actually begun to come out of the dark alleyway a few years prior in the late 80s. A time where Hair Metal, while still beloved by many, was beginning to fade away from popularity for a few reasons. Regardless, it was during this time that bands that formed the foundation upon which Grunge would build it’s home, and today we look at one of those groups. So put on your flannel shirt, get a little disillusioned at the world, and take a look at my review of the first Melvins album, Gluey Porch Treatments. Let’s begin!
Background
Taken from Wikipedia:
“The Melvins were formed in early 1983 by Buzz Osborne (guitar, vocals), Matt Lukin (bass), and Mike Dillard (drums) who all went to Montesano Jr./Sr. High School in Montesano, Washington The band was named after a supervisor at a Thriftway in Montesano, where Osborne also worked as a clerk; "Melvin" was disliked by other employees, and the band's members felt it to be an appropriately ridiculous name.
In the beginning, they played Jimi Hendrix and Who covers, and also began playing fast hardcore punk. Dillard left the band in 1984 and was replaced by local drummer Dale Crover. The band's rehearsals moved to a back room of Crover's parents' house in Aberdeen, Washington. Soon afterward, they started to play songs slower and "heavier" than nearly anyone else at the time. In 1985, C/Z Records was created to document the Washington music scene. The label released Deep Six, featuring four songs by the Melvins. In 1986, the band released their debut, the Six Songs EP, on C/Z Records (later releases expanded and retitled this as 8 Songs, 10 Songs, and eventually 26 Songs in 2003 on Ipecac Recordings). The album was recorded live to a two track at the now closed Ironwood Studio in Seattle on February 8, 1986.
In October 1986, they recorded their first full-length album, Gluey Porch Treatments, at Studio D in Sausalito, California. The album was released in 1987 on Alchemy Records. Gluey Porch Treatments was later coupled with their second album Ozma for the Boner Records CD release. It was expanded again for the 1999 re-release on Ipecac with some garage demos.”
Basic Description
Sludgy Black Sabbath.
Sounds a little odd to say, since Sabbath were always sludgy in some way. But here, it’s different somewhat. Whereas Ozzy & the gang’s first release was influenced by the nature of their hometown, the Melvins channeled something different. Though later releases from other bands (including themselves) would expand upon this, they channeled the disillusionment of what the youth at the time was feeling. The loss of hope, how perhaps the fantasy of what some of the music scene was just a fantasy, you name it. This is also reflected in the music: the instrumentation is most definitely in the Sabbath style, but there’s also a bit of a punk edge to it as well, adding a bit of speed because of that. Granted, that speed does cause an issue (More on that in a bit), but it adds to the energy that’s contained on this release.
Best Track
Over from Under the Excrement, apart from it’s goofy name, is perhaps the biggest example of Sabbath worship on this album. Though there isn’t any vocal work to be heard, there doesn’t need to be any when the instrumentation is so brutal! The instrumentation, from the guitar & bass to the drums, is played at a Doom Metal like pace. So doomy, in fact, that it feels like you’re crawling through the mud as it plays. Coupled with raw screeching from the guitars at certain points, it just feels absolutely dirty to listen to.
Over from Under the Excrement
Worst Track
Gluey Porch Treatments’s only fault lies with the overabundance of faster tracks. Only 4 songs are above 2 minutes, while the rest are in the 2 minute range & below (The worst is Exact Paperbacks at 43 seconds). Because of this, it takes a couple turns on the record player or cd player for the album to stick in your head. Quick songs are fine in my book, but if there’s too many, then it’s sometimes a chore to listen to them all.
Other
If you’re curious about listening to this album, click on the link below:
Gluey Porch Treatments (w Re-Release Demos)
Overall Impression & Rating
Gluey Porch Treatments is an absolutely raw kind of album. The fact that Dave Grohl described this record as heavier than Black Sabbath is a testament to the kind of energy it’s producing. Sure, a majority of the songs go by incredibly fast to the point where a repeat button needs to be pressed at least once or twice, but it’s somehow still obvious that the Melvins came into making this record with a lot of drive & passion. Almost 40 years later, there’s still some porches out there getting some glue.
Gluey Porch Treatments gets a 7.5 out of 10.
And that was my review for the first release from the Melvins. Gluey Porch Treatments, fast as it can be, still delivers a dirty but pleasant musical experience that’s positively delightful. Still metallic enough for the diehards, yet something different was happening underneath it all. So, see you all at the end of the month for another Pre-Grunge progenitor. Until then, take care!

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