Welcome back to the 4-year anniversary fellow Otaku & Metalheads!
Like I said in my last post, it’s time to take a look at my top 10 favorite manga. Kinda like when I talked about my favorite books of all time, this was something of a tough list. Again, it wasn’t about what was going to be on here, but more on how to show them off. This time around, I got quotes from the comics themselves, and the front cover to give them a little more identity this time around. Some series on here you won’t be surprised by, but a few others you might. With that out of the way, here are my top 10 favorite manga of all time. Enjoy!
10) Elf-San Wa Yaserarenai (Link)
“Naoe Tomoatsu is a massage therapist at the Smiley Boar clinic. Things are pretty normal for him there until one night when he gets a new client who happens to be an elf. This elf, named Erufuda, came to our world from another dimension and wants to go back. However, before she can go she has to lose the weight she gained during her stay, which is very difficult due to her newly gained addiction to french fries, so she wants Naoe's help slimming down. As he tries to help Erufuda keep her weight under control, Naoe meets other non-human women in a similar situation who also need his assistance”
I start off this list with a really weird & unknown series. Discovering it in a suggestions section on a site I frequent, it’s one of the oddest comics I’ve read.....and yet it’s one of the smartest series I’ve laid eyes on. Take various fantasy races, put them in the modern world, give them access to foods & other things that would otherwise not be where they’re from, and see someone help them get back in shape using real-world techniques. The end result is surprisingly educational, full of wacky & fun characters, and manages to get your attention in strange ways. Though it’s only up to 20 chapters at the moment, it’s a neat little ride that’ll keep you paying attention.
9) Bleach
“Ichigo Kurosaki has always been able to see ghosts, but this ability doesn't change his life nearly as much as his close encounter with Rukia Kuchiki, a Soul Reaper and member of the mysterious Soul Society. While fighting a Hollow, an evil spirit that preys on humans who display psychic energy, Rukia attempts to lend Ichigo some of her powers so that he can save his family; but much to her surprise, Ichigo absorbs every last drop of her energy. Now a full-fledged Soul Reaper himself, Ichigo quickly learns that the world he inhabits is one full of dangerous spirits and, along with Rukia--who is slowly regaining her powers--it's Ichigo's job to protect the innocent from Hollows and help the spirits themselves find peace.”
If there’s one thing I hate doing, it’s getting into things a little too late. Type-O Negative comes to mind for me in terms of discovering bands later than I should have, and in one example of finding a manga later than I should have, it would be Bleach. Ironically, I watched the anime for years, and enjoyed it immensely. The Manga? I’ve only been reading it for the past 1 to 2 years. Upon acquiring the first compilation of the comic, I immediately became hooked. It reminded me of watching the first few episodes back in 2006 all over again, and after getting a few more of the compilations in recent times, I’ve come to the conclusion that I’ll keep buying & reading them.
8) With The Light: Raising An Autistic Child & A Silent Voice
“Born during the sunrise - an auspicious beginning - the Azumas' newborn son is named Hikaru, which means "light". But during one play date, his mother notices that her son is slightly different from the other children. In the alternately heartwarming and bittersweet tale, a young mother tries to cope with both the overwhelming discovery of her child's autism and the trials of raising him while keeping her family together. This is a story that resonates not only for those whose families have been affected by autism, but also for all past, present, and future parents.”
“The story revolves around Nishimiya Shoko, a grade school student who has impaired hearing. She transfers into a new school, where she is bullied by her classmates, especially Ishida Shouya. It gets to the point where she transfers to another school and as a result, Shouya is ostracized and bullied himself, with no friends to speak of and no plans for the future. Years later, he sets himself on a path to redemption.”
I shouldn’t necessarily put both of these here. Technically, I’ve only ever bought & read one volume in the case of the 1st series, and 2 volumes in regards to the 2nd series, but that won’t stop me from talking about two of the most mature, educational, and heartwarming manga I’ve ever read. Both series are also incredibly realistic: the main characters are disabled in someway, you see how harsh the word treats them, but you also see them rise up alongside those that care for them & are friends. I’ll eventually complete both comics, but even without doing so, I love the both of them.
7) Nurse Hitomi’s Monster Infirmary
“"COME UP AND SEE ME SOMETIME"
Welcome to the nurse's office! School Nurse Hitomi is more than happy to help you with any health concerns you might have. Whether you're dealing with growing pains or shrinking spurts, body parts that won't stay attached, or a pesky invisibility problem, Nurse Hitomi can provide a fresh look at the problem with her giant, all-seeing eye. So come on in! The nurse is ready to see you!”
Weirdly enough, the middle part of this list was actually a bit tricky to think about. 10 to 8 was easy, and 3 to 1 was a piece of cake. From 7 to 4? That took a little bit, but it wasn’t impossible. Starting off this section of the list we have the quirky series, Nurse Hitomi’s Monster Infirmary. With art & story created by Shake-O (Yes, that’s the artist’s name), Nurse Hitomi takes the typical monster trope, and strangely turns it into something more grounded. The titular Nurse Hitomi is the guidance councilor of a high school she works at, and helps the various students through their issues. Whether it’s relationships, trying to control one’s invisibility power, or even something as simple as a stretchy tongue. Even Hitomi herself is unusual as well, as she’s actually a cyclops, and is more perceptive than she lets on. Though the “Monster” descriptor is a bit of a stretch, adding a quirky element to real life somehow makes it fascinating. If you want an alternative to more mainstream “Monster” series, then Nurse Hitomi’s Monster Infirmary might be what you seek.
6) 12 Beast
“HARPY GIRLS JUST WANNA HAVE FUN!
Three things you should know about Touga Eita, second-year high school student and heir to the Touga-style ninjutsu dojo: First, he really, really loves video games. Second, when given a choice between heroics and saving his own skin, he will always choose the latter. Third, he's never so much as kissed a girl.
All this changes when a voluptuous girl with wings and taloned feet named Aero appears and calls on Eita to help save her people-the harpies of Re-Verse-from the merciless onslaught of giant robot monsters known as Gigas. Eita will follow his newfound harpy friend into a whole new world, filled with monster girls and fantastical creatures beyond his wildest dreams.”
From the picture I used for this, I may have spoiled what was coming later on in the list, but that won’t stop me from talking about one of the most fun fantasy series I’ve ever read. Despite the presence of monster girls, the fan-serivce aspect is much more controlled, and isn’t non-stop. It’s basically one guy reluctantly taking on a quest, and he’s got a party he build up overtime. Along the way, they learn more about the world, and the enemy they fight. Though it’s only at 5 volumes right now (With a 6th one coming out soon), it’s really entertaining, and it’s something worth checking out.
5) Love Hina
“When Keitaro Urashima fails his entrance exams to get into Tokyo University for the second time, he's officially an unemployed and uneducated slacker. To make things worse, his parents have kicked him out of his house. Fortunately, his grandmother owns the fabulous Hinata Lodge and has agreed to take Keitaro in as caretaker. What he doesn't know is that the lodge is actually a girl's dorm and he's the only guy around! Most guys would kill to live with five sexy ladies, but if Keitaro's not careful, this job will kill him.”
This spot. Out of every single spot from seven to four, it was number five that proved the trickiest for me to figure something out. Cue this past Saturday, as I was scanning my manga collection for something to put here, and for whatever reason my eyes got fixated on this series. As much as I like the anime incarnation, I found the manga version strangely more mature. Make no mistake, it still knows how to be silly & fan-servicey on many occasions, but the comic knew when to pull the wacky back, and a mature scene or two come into the limelight & really flesh things out. Like the show, the Love Hina manga isn’t for everybody, but if you give it even a small try, you might find it to be quite enjoyable.
4) Astro Boy
“Built by a brilliant scientist to replace his lost son, but with powers beyond imagination, Astro Boy fights for the oppressed and helpless—human, alien, or robot. Created by Osamu Tezuka, “Japan’s Walt Disney,” Astro Boy is action-packed, classic fun for all ages, now featured in value-priced omnibus editions!”
If there was one thing that Osamu Tezuka knew how to do, and do well, was being deep. Not edgy deep like you see in a lot of tweeny stuff, but deep in the terms of thought provoking. A good chunk of his series dealt with some really heavy stuff. Kimba The White Lion, Blackjack, Princess Knight, and the series I’m talking about here, Astro Boy. To many older Americans, this was perhaps one of if not their first exposures to anime. You have the titular Astro Boy, a robot created to be the spitting image of the dead son of the scientist that made him, and when the scientist rejected him, he was eventually found by another scientist, becoming a new symbol of justice. All along his journey, he come across many moral quandaries, meet plenty of friends, lose some friends, and goes through evens that would break lesser individuals. Though he may no longer be with us, Mr. Tezuka has crafted a legacy that will last until the end of the world, and Astro Boy will always be there to do what’s right.
3) Tenchi Muyo
“The trouble and fun began when ordinary teenager Tenchi Masaki inadvertently released the legendary demon Ryoko from his grandfather's shrine. Turned out Ryoko was actually a marooned space pirate! Since then, she's become Tenchi's unwanted houseguest, attracting a host of other troublemaking alien women: Ayeka, a haughty alien pricess; Sasami, her mischievous little sister; and Washu, Ryoko's mad-scientist "mother." Add Ryo-oh-Ki, an adorable little carrot-eating spaceship, and you've got one full Shinto shrine!”
True story: a long time before becoming part of the anime fandom, I got into manga. Okay, that’s technically not true. In reality, while wandering inside a Waldenbooks in 2001 (Shout-out to anyone who remembers that chain), I came across the first volume of this now looooong out of print series. For whatever reason, the group of characters enchanted me somehow. My Mom bought it for me, and I loved it. On Christmas that year, I got volume 2, and loved that as well. From there....nothing. It would take 13 years before I would come back to the Tenchi series, and all the while picking up other series in the process. Then, in 2014, after getting some birthday money, I grabbed what’s left in the series...and by god I was punching myself in the face for not getting into this sooner!
Tenchi Muyo the manga carries all of the wit, charm, humor, heart, and even occasional dirtiness that the anime had, while at the same time creating it’s own mood & atmosphere. Seeing what happens to Tenchi & the gang after the events of the OVA, it’s really a lot of fun to read. It might be a bit expensive, but if you can find all of the volumes, buy them. If you do, you’ll have a piece of early 2000s manga history.
2) Rosario + Vampire
“All-around average teenager Tsukune can't get accepted to any high school save one...but on his first day he finds the rest of the student body doesn't appear average at all. Best of all, the cutest girl on campus can't wait to fling her arms around his neck! Wait a sec'--are those her teeth around his neck too...? Tsukune's going to have one heck of a hickey when he gets home from Monster High! But does he have a chance in H E double hockey sticks of raising his grades at a school where the turf war isn't between the jocks and the nerds but the vampires and the werewolves?”
There’s always a manga series that, when you finish collecting it, you feel the heartstrings tugged. Such is the case of Rosario + Vampire for me. I’ve already talked about it before in various articles I posted, so I won’t repeat much here. I will say once again that Rosario + Vampire the manga is more mature, clever, and deeper than it’s anime counterpart. Sure there’s some fan-service & romantic elements, but they’re not the focus. Regardless, this Shonen series is a cut above some of the others, and it’s one worth reading.
Now before we get to my no. 1, I wanted to talk about 2 honorable mentions in my favorite manga collection. To make things a little more interesting, I decided to go for two pretty obscure titles. One might be familiar to more old-school anime fans, while the other is virtually unknown, and hasn’t been printed in English. With that out of the way, here are my manga honorable mentions.
HM1) Plastic Little: Captain’s Log
“From CPM: The curvaceous cutie Captain Tita pilots the far-future submersible Cha Cha Maru, hunting creatures for the exotic pet market. With only four years’ experience under her belt, can Tita capture an elusive cloud whale and fulfill a vow to her dead father, or is she literally out of her depth on this one?”
I think a lot of old-school otaku might recall Plastic Little: The Adventures Of Captain Tita. A short little OVA (47 minutes I believe), it was filled with fun sci-fi action, and had phenomenal artwork from the legendary Satoshi Urushihara. Originally released as a series of small comic releases (If I’m remembering correctly), they were eventually compiled into the collection known as Captain’s Log. Focusing more on stories of some of the crew members of the Cha Cha Maru, they almost come across like episodes for a mini-series that never got made. This manga collection has been out of print for a longtime, since it was released by CPM manga, and no-one has reclaimed the license for it. So if you can somehow find a physical copy, or find a site that hosts scans of it (Link here), give it a read.
HM2) Bra Girl (Link)
“She's quite a normal girl with a crush on a handsome boy but she has a hardon everytime she sees him. Welcome to the life of Haruka-chan, a girl with a penis. Although it's not that uncommon in this world, she is still embarrassed by the fact. There is also a group of dickgirls in the school, and they found out her secret, what will she do?”
Like I hinted at above, this short series has never been released in the United States, and I think anywhere else. However, that won’t let me talk about one of the most surprisingly progressive manga I’ve ever read. Like the description says about, it’s about a girl who has a crush on a boy....but has to worry about him discovering the fact that she has some extra between her legs. She finds a group of girls at her highschool who are in a similar predicament, they become friends, and by the end she gets the boy. Though the creator says that this wasn’t one of their best works, you can see the potential somewhere within. I put a link up above, and despite how fan-servicey it can be, there’s some genuine humor & heart in it. If you have a little time, give it a read & see what you think.
1) Monster Musume: Everyday Life With Monster Girls
“They're real, and they want to date us! Three years ago, the world learned that harpies, centaurs, catgirls, and all manners of fabulous creatures are not merely fiction; they are flesh and blood?not to mention scale, feather, horn, and fang. Thanks to the "Cultural Exchange Between Species Act," these once-mythical creatures have assimilated into society, or at least, they're trying. When a hapless human teenager named Kurusu Kimihito is inducted as a "volunteer" into the government exchange program, his world is turned upside down. A snake-like lamia named Miia comes to live with him, and it is Kurusu's job to take care of her and make sure she integrates into his everyday life. Unfortunately for Kurusu, Miia is undeniably sexy, and the law against interspecies breeding is very strict. Even worse, when a ravishing centaur girl and a flirtatious harpy move in, what's a full-blooded teenage human with raging hormones to do?”
Anyone who knows me, whether you’re a close personal friend or an acquaintance, should not be surprised by what’s at my number one spot. First hearing about it from a friend, I had the itch one day to just read everything that was scanned in at the time. I was immediately hooked: the setting & story was interesting, the characters were fun, and the fan-service was incredibly enjoyable. Since becoming a fan, I have obtained all of the physical volumes released in the states at this time, just about all of the music CDs (I got 1 left to buy), and even managed to acquire some Centorea card-slips (Which I’m currently using to make a Valduk EDH deck). I’ve had a lot of manga series I genuinely like, but Monster Musume is the first that I genuinely love. Whether you’re gay, straight, or anywhere in between, just binge read this series. You won’t regret it!
So these were my top 10 favorite manga of all time. This was a genuinely hard list to come up with, but I took it as a challenge. There are plenty of other series I enjoy, but these ten series are the ones I like the most. With this list done, It’s time for me to make up for the lack of reviews I did during the 2nd catchup month, so stay tuned throughout the rest of the month.
Monday, September 3, 2018
Saturday, September 1, 2018
My Top Five Highest Viewed Posts (At This Time) No. 4
Happy 4-year anniversary fellow Otaku & Metalheads!
That’s right, 4 years ago this month I created this blog. A temple to cartoons from the land of the rising sun, as well as music that will shred you, this year’s anniversary will be a little different that previous ones. I got a personal 10 top list that I’ve been pondering over for a long time, some catchup reviews to make up for earlier this year, and today’s post showing off some of the currently highest viewed posts on the site. I confess that we got a returning post taking the no. 1 spot, but every other spot on here is something new. With that out of the way, here are my top 5 highest viewed posts at this time, number 4. Let’s begin!
5) Convention Review - Genericon 31 (Currently at 137 views)
This was really the sleeper hit of the conventions I went to this year. Despite getting a day cut out due to bad weather, Genericon 2018 was surprisingly fun. The convention schedule was shot to hell, and some of the panels & events from Friday were either placed in extreme time spots, or cancelled completely. My part 2 panel in my series was super early in the morning on Sunday, and it was one that I was looking forward to hosting (Part 1 in 2017 was a packed house). Despite that disappointment, Genericon 2018 was fun to go to, and I respect what the school had to do in regards to the weather (Fingers crossed this doesn’t happen for 2019's con).
4) Album Review - Type-O Negative’s Dead Again (Currently at 208 views)
And here we come to a morbidly named album. I was quite surprised that my review for the band’s final record got as many views as it did. In hindsight, I shouldn’t have been surprised it got viewed by so many people: releasing it on it’s 10-year anniversary, the album was a reluctantly good way for Type-O Negative to end their career. Pete Steele finally got clean, returned to the Roman Catholic faith he abandoned long ago, and slew many of his old demons. It was a tragedy when he died in 2010, but the legacy he & the rest of the band left behind is one that has not been forgotten.
3) Metal Overview - Turmion Kätilöt (Currently at 212 views)
Far & away the oldest article on this list (I put it out in early July of 2015), I’m shocked that it has as many views as it does. Considering that Turmion Kätilöt are a band that are fairly unknown in the United States (Apart from the few fans), you’d think that it wouldn’t get looked at much. Low & behold, it’s received a healthy amount of views, and I’m pleasantly surprised. A great alternative to more mainstream Industrial Metal artists, if you’re even remotely interested give the article a read. Maybe you might like them!
2) Convention Review: Connecticon 2018 (Currently at 419 views)
And here we get to perhaps the more predictable part of the list. If you’ve been reading my blog for a long time, you’ll know what’s coming at number one. Before we get to my no. 1, let’s talk about the 2nd most viewed post on the site. Despite getting released just this past July (A few days after the con itself), I’m surprised it got as many views as it did. I also like to admit I’ve been a little more critical of Connecticon since 2016, but I’ve never lost sight of how much fun it can be. I think a lot of fans of the convention feel the same way, which is probably why this got as many views as it did. Speaking of which.....
1) Convention Review: Connecticon 2017 (Currently at 560 views)
You all shouldn’t have been surprised by this. I had put it at the no. 1 spot on my list of highly viewed posts from last year, and it came back this year. In 2017 it had 537 views, and since then it got 23 more. I was definitely not surprised by how this got so many people to read it: coming a year after Connecticon 2016, when many of the newer issues cropped it, it probably seemed refreshing that somebody was pointing out what said issues were. For others, they probably came to the article because they liked the fun aspects. No other article I posted has managed to even remotely get close to the views of this review (Apart from the 2018 review), and I have a feeling that nothing ever will.
And this concludes the highest views posts on my blog, version 4. Definitely an interesting list to be sure, but one that I had fun making. I’ll see you all soon, when I’ll put up a top 10 list of my favorite manga of all time. See you then!
That’s right, 4 years ago this month I created this blog. A temple to cartoons from the land of the rising sun, as well as music that will shred you, this year’s anniversary will be a little different that previous ones. I got a personal 10 top list that I’ve been pondering over for a long time, some catchup reviews to make up for earlier this year, and today’s post showing off some of the currently highest viewed posts on the site. I confess that we got a returning post taking the no. 1 spot, but every other spot on here is something new. With that out of the way, here are my top 5 highest viewed posts at this time, number 4. Let’s begin!
5) Convention Review - Genericon 31 (Currently at 137 views)
This was really the sleeper hit of the conventions I went to this year. Despite getting a day cut out due to bad weather, Genericon 2018 was surprisingly fun. The convention schedule was shot to hell, and some of the panels & events from Friday were either placed in extreme time spots, or cancelled completely. My part 2 panel in my series was super early in the morning on Sunday, and it was one that I was looking forward to hosting (Part 1 in 2017 was a packed house). Despite that disappointment, Genericon 2018 was fun to go to, and I respect what the school had to do in regards to the weather (Fingers crossed this doesn’t happen for 2019's con).
4) Album Review - Type-O Negative’s Dead Again (Currently at 208 views)
And here we come to a morbidly named album. I was quite surprised that my review for the band’s final record got as many views as it did. In hindsight, I shouldn’t have been surprised it got viewed by so many people: releasing it on it’s 10-year anniversary, the album was a reluctantly good way for Type-O Negative to end their career. Pete Steele finally got clean, returned to the Roman Catholic faith he abandoned long ago, and slew many of his old demons. It was a tragedy when he died in 2010, but the legacy he & the rest of the band left behind is one that has not been forgotten.
3) Metal Overview - Turmion Kätilöt (Currently at 212 views)
Far & away the oldest article on this list (I put it out in early July of 2015), I’m shocked that it has as many views as it does. Considering that Turmion Kätilöt are a band that are fairly unknown in the United States (Apart from the few fans), you’d think that it wouldn’t get looked at much. Low & behold, it’s received a healthy amount of views, and I’m pleasantly surprised. A great alternative to more mainstream Industrial Metal artists, if you’re even remotely interested give the article a read. Maybe you might like them!
2) Convention Review: Connecticon 2018 (Currently at 419 views)
And here we get to perhaps the more predictable part of the list. If you’ve been reading my blog for a long time, you’ll know what’s coming at number one. Before we get to my no. 1, let’s talk about the 2nd most viewed post on the site. Despite getting released just this past July (A few days after the con itself), I’m surprised it got as many views as it did. I also like to admit I’ve been a little more critical of Connecticon since 2016, but I’ve never lost sight of how much fun it can be. I think a lot of fans of the convention feel the same way, which is probably why this got as many views as it did. Speaking of which.....
1) Convention Review: Connecticon 2017 (Currently at 560 views)
You all shouldn’t have been surprised by this. I had put it at the no. 1 spot on my list of highly viewed posts from last year, and it came back this year. In 2017 it had 537 views, and since then it got 23 more. I was definitely not surprised by how this got so many people to read it: coming a year after Connecticon 2016, when many of the newer issues cropped it, it probably seemed refreshing that somebody was pointing out what said issues were. For others, they probably came to the article because they liked the fun aspects. No other article I posted has managed to even remotely get close to the views of this review (Apart from the 2018 review), and I have a feeling that nothing ever will.
And this concludes the highest views posts on my blog, version 4. Definitely an interesting list to be sure, but one that I had fun making. I’ll see you all soon, when I’ll put up a top 10 list of my favorite manga of all time. See you then!
Friday, August 17, 2018
Album Review - Type-O Negative's Bloody Kisses
Hey there fellow Otaku & Metalheads!
Seems like there’s plenty of music anniversaries this years. Plenty of 30 year anniversaries, and a few that turned 15 years old. Back in June, Type-O Negative’s Life Is Killing Me had it’s 15th anniversary, and today another of their releases has it’s birthday. More specifically, it’s the 25th birthday of the band’s first full-blown Gothic Metal record, and by god is it good! So sit back, put on your Black No. 1, and enjoy my review for the iconic Bloody Kisses. Let’s begin!
Background
With Slow Deep & Hard garnering Type-O Negative some fame from those that listened to it, Roadrunner Records were convinced to push the band a little more. At first it didn’t go so well (See below for details), but eventually this gave the group some energy. At first they produced the fake live album The Origin Of The Feces, but then they released a bombshell by the name of Bloody Kisses. Recorded at Systems Two in Brooklyn, Bloody Kisses was the first album on Roadrunner Records to achieve gold and platinum certification. Steve Huey of AllMusic gave the album a 4.5 out of 5 and wrote that "though it sounds like a funeral, Bloody Kisses' airy melodicism and '90s-style irony actually breathed new life into the flagging goth metal genre", Rock Hard from Germany gave the album a 10 out of 10 rating, and Loudwire called Bloody Kisses their best album of 1993.
Basic Description
Gothic Metal Cornerstone!
As fantastic as the band’s first two releases, they weren’t exactly Gothic. Not a hundred percent at least. Bloody Kisses changed all of that: forgoing the punk & hardcore elements of Slow Deep & Hard (Not to mention The Origin Of The Feces if you count it), Type-O Negative truly delved into Goth territory. From cemeteries, to black no. 1hair dye, to dark sensuality, and combined with Pete Steele’s typical dry wit & humor, this album really feels like it’s miles apart from the ones that came before. The instrumentation is perfect, and the vocal work from Pete & the rest of the gang is top notch. All of these elements make Bloody Kisses really incredible, and is yet another example of metal not dying in the 90s.
Best Track
Summer Breeze comes out of nowhere on Bloody Kisses. Taking the iconic Seals & Croft song, Type-O Negative swaps out the happy summertime vibes, and instead replaces it with summertime gothic sensuality & Pete Steele’s dry wit. Ironically, the band had got in trouble by attempting to create a more vulgar interpretation of the song (See here). After Seals & Croft told the band to knock it off, Type-O Negative just redid the original song.....and Seals & Croft still complained. That alone makes this version more superior in my mind, and it should in your mind as well.
Summer Breeze
Apart from that, I had to give a shout out to two songs that definitely know how to rile people up. First, we got Kill All The White People. An ode to some of the anti white people sentiments brought up by some black militant groups, Type-O Negative really managed to conjure up the negative feelings that said groups were feeling. Second, there’s We Hate Everyone. In the earliest years of their career, the band was accused by a variety of groups (Some left, some right) of being sexist & Nazis. Getting pissed at these accusations, the band decided to make this song, raising a middle finger to both sides of the fence.....I can appreciate that!
Kill All The White People
We Hate Everyone
Worst Track
Nothing. None. Nada. Zip. Zilch. Bloody Kisses has no bad songs on it. Nuff said!
Other
If you’re curious about listening to this album, then check out the link below:
Bloody Kisses
Overall Impression & Rating
Bloody Kisses is just wonderful. From the beginning notes to the final vocals, you are listening to one of the most iconic Gothic Metal releases ever. Sure there was a little bit before this album, and some even in the same year as this record, but very few can stand right alongside this CD (Paradise Lost’s Icon comes immediately to mind). If you have an afternoon available for yourself, find this album, and let Pete Steele and the rest of the Type-O Negative crew take you to gothic paradise. You won’t forget the trip!
Bloody gets a 10 out of 10. It earns every point!
So that was my review for Type-O Negative’s first full-blown Gothic Metal release, Bloody Kisses. Spearheading the emergence of a metal subgenre that could have only come from the 90s, it has endured the years with incredible aplomb, and is still held up by fans as one of the many pinnacles of the style. Well, with this review done, I’m taking a break for the rest of the month, as I’ll be working on posts for the 4-year anniversary of this blog. See you all in September!
Seems like there’s plenty of music anniversaries this years. Plenty of 30 year anniversaries, and a few that turned 15 years old. Back in June, Type-O Negative’s Life Is Killing Me had it’s 15th anniversary, and today another of their releases has it’s birthday. More specifically, it’s the 25th birthday of the band’s first full-blown Gothic Metal record, and by god is it good! So sit back, put on your Black No. 1, and enjoy my review for the iconic Bloody Kisses. Let’s begin!
Background
With Slow Deep & Hard garnering Type-O Negative some fame from those that listened to it, Roadrunner Records were convinced to push the band a little more. At first it didn’t go so well (See below for details), but eventually this gave the group some energy. At first they produced the fake live album The Origin Of The Feces, but then they released a bombshell by the name of Bloody Kisses. Recorded at Systems Two in Brooklyn, Bloody Kisses was the first album on Roadrunner Records to achieve gold and platinum certification. Steve Huey of AllMusic gave the album a 4.5 out of 5 and wrote that "though it sounds like a funeral, Bloody Kisses' airy melodicism and '90s-style irony actually breathed new life into the flagging goth metal genre", Rock Hard from Germany gave the album a 10 out of 10 rating, and Loudwire called Bloody Kisses their best album of 1993.
Basic Description
Gothic Metal Cornerstone!
As fantastic as the band’s first two releases, they weren’t exactly Gothic. Not a hundred percent at least. Bloody Kisses changed all of that: forgoing the punk & hardcore elements of Slow Deep & Hard (Not to mention The Origin Of The Feces if you count it), Type-O Negative truly delved into Goth territory. From cemeteries, to black no. 1hair dye, to dark sensuality, and combined with Pete Steele’s typical dry wit & humor, this album really feels like it’s miles apart from the ones that came before. The instrumentation is perfect, and the vocal work from Pete & the rest of the gang is top notch. All of these elements make Bloody Kisses really incredible, and is yet another example of metal not dying in the 90s.
Best Track
Summer Breeze comes out of nowhere on Bloody Kisses. Taking the iconic Seals & Croft song, Type-O Negative swaps out the happy summertime vibes, and instead replaces it with summertime gothic sensuality & Pete Steele’s dry wit. Ironically, the band had got in trouble by attempting to create a more vulgar interpretation of the song (See here). After Seals & Croft told the band to knock it off, Type-O Negative just redid the original song.....and Seals & Croft still complained. That alone makes this version more superior in my mind, and it should in your mind as well.
Summer Breeze
Apart from that, I had to give a shout out to two songs that definitely know how to rile people up. First, we got Kill All The White People. An ode to some of the anti white people sentiments brought up by some black militant groups, Type-O Negative really managed to conjure up the negative feelings that said groups were feeling. Second, there’s We Hate Everyone. In the earliest years of their career, the band was accused by a variety of groups (Some left, some right) of being sexist & Nazis. Getting pissed at these accusations, the band decided to make this song, raising a middle finger to both sides of the fence.....I can appreciate that!
Kill All The White People
We Hate Everyone
Worst Track
Nothing. None. Nada. Zip. Zilch. Bloody Kisses has no bad songs on it. Nuff said!
Other
If you’re curious about listening to this album, then check out the link below:
Bloody Kisses
Overall Impression & Rating
Bloody Kisses is just wonderful. From the beginning notes to the final vocals, you are listening to one of the most iconic Gothic Metal releases ever. Sure there was a little bit before this album, and some even in the same year as this record, but very few can stand right alongside this CD (Paradise Lost’s Icon comes immediately to mind). If you have an afternoon available for yourself, find this album, and let Pete Steele and the rest of the Type-O Negative crew take you to gothic paradise. You won’t forget the trip!
Bloody gets a 10 out of 10. It earns every point!
So that was my review for Type-O Negative’s first full-blown Gothic Metal release, Bloody Kisses. Spearheading the emergence of a metal subgenre that could have only come from the 90s, it has endured the years with incredible aplomb, and is still held up by fans as one of the many pinnacles of the style. Well, with this review done, I’m taking a break for the rest of the month, as I’ll be working on posts for the 4-year anniversary of this blog. See you all in September!
Monday, August 13, 2018
5 Industrial Albums You Should Own
Welcome to the end of Industrial Metal Insanity fellow Otaku & Metalheads!
It’s that time in every one of these music festival hosts that I show off some albums that are essential for their respective genres. I confess this list will be strange, as some of the records in question might not be as widely known as others within the Industrial Metal fandom. Regardless, all of the releases on this list are worthy of your time, and worthy of being in your collection if you acquire them. With that said, here are 5 Industrial Metal albums you should own. Let’s begin.
1) Laibach - Opus Dei (Sample Song)
I had a hard time figuring one which of the 3 bands from part one of Industrial Metal Insanity to put here. I knew right away that Throbbing Gristle wasn’t going to be on here, but choosing between Laibach & Nine Inch Nails was a little tricky. Ultimately, I decided to have Laibach take this spot, as while Pretty Hate Machine had all the bells & whistles of an Industrial Metal group, Laibach felt like one more. Opus Dei may not have any metal in it, but the band really cranked up the Industrial with their 3rd release. Better production quality & better sound when compared to other 80s Industrial music guaranteed that it would stay in people’s memories. If you want to hear one of the progenitors of this genre, then Opus Dei is a perfect place to start.
2) Minister - Psalm 69 (Sample Song)
I was incredibly tempted to put Rio Grande Blood here. If you saw my Ministry overview (Which you can read here), not to mention my review for the album from last month (Which you can read here), you know I speak quite fondly of it. Putting objectivity into the equation, I decided to put their first release of the 90s on this list instead. The first full-blown Industrial Metal album, Psalm 69 really blew people’s minds away back in 1992, and served as a launching pad for many Industrial bands in that decade. Like Opus Dei it has weathered the decades well, and is really something potential Ministry fans should try. You won’t regret it!
3) Samael - Passage (Sample Song)
Of all the Industrial Metal bands I’ve discovered, none have ever intrigued or fascinated me quite like this group from Sion, Switzerland. First starting off as a Black Metal band, they became something more once they began to incorporate Industrial elements, and by the mid 90s, they merged into a full-blown Industrial/Black Metal group. Even over 2 decades since it’s release, Passage has been praised for pushing the Industrial Black Metal style into the spotlight. If you happen to like your Black Metal a little more electronic, you might like Passage. Give it a go, and see what you think.
4) Rammstein - Mutter (Sample Song) & Turmion Kätilöt - Dance Panique (Sample Song)
I genuinely do the best I can to not do ties on these lists (Ironic, given who’s at 5). I really do! However, when the time came to make this post, these two bands had to be here. First up is Mutter: the very first time I ever heard Industrial Metal, much less a metal band from a foreign country, I was hooked immediately. As I stated in my review at the start of this month (Which you can read here), this was a completely new musical experience for me. It’s moments like that you don’t feel often in life, but when you do it’s magical.
Turmion Kätilöt, on the other hand, are kind of different. I didn’t discover them on my own, but rather were suggested to me by an acquaintance of mine way back in my college days (A friend at the time was directed towards this band as well). Whereas Rammstein was a well-oiled machine, Turmion Kätilöt was a chaotic mass of pain, sensuality, and fun. Their latest album (Soon to be replaced by their record coming out in September this year), Dance Panique really personifies this. From the title track all the way to the ending song, you are in for a really wild ride. In fact, I use the music video as an intro to a rather risque series of panels I host. Given what’s in the video, you shouldn’t be surprised.
5) Kreator - Endorama (Sample Song) & Septicflesh - Revolution DNA (Sample Song)
I’ve already kind of touched on this first album back in my 5 Thrash Albums You Should own (Which you can see here), so I won’t repeat every single detail here again. I will say that for a band that transitioned from Thrash Metal to Industrial Metal (With some Gothic Metal hints), Kreator did it surprisingly well. There’s bare hints of Thrash on Endorama, but they’re so minor that it’s incredibly hard to tell. Regardless, give Endorama a try, and see if it makes it to your collection.
Revolution DNA is kind of in the same boat. Since the Ophidian Wheel, Septicflesh experimented with newer styles. First they began with Gothic Metal, and by the late 90s embraced Industrial Metal as well. The end result is an album that knows exactly what it is, but at the same time doesn’t necessarily forget when the band first came from. The record is really interesting to listen to, but it’s such a shame that outside of Septicflesh’s fans (Or Industrial Metal fans in general), Revolution DNA isn’t really well known.
So these were 5 Industrial Metal albums you should own. This metal subgenre isn’t for everybody. Not by a longshot! However, if one was to get into the style, then anyone of these albums were probably the gateway into one of the more unique styles of Heavy Metal. So with that, our 3rd music festival is now closed, and I hope you had a lot of fun. See you all in a few weeks, when one of the most essential Gothic Metal albums has it’s 25th anniversary. See you then!
***
For my review of Revolution DNA, check out the link below:
Revolution DNA (Review)
It’s that time in every one of these music festival hosts that I show off some albums that are essential for their respective genres. I confess this list will be strange, as some of the records in question might not be as widely known as others within the Industrial Metal fandom. Regardless, all of the releases on this list are worthy of your time, and worthy of being in your collection if you acquire them. With that said, here are 5 Industrial Metal albums you should own. Let’s begin.
1) Laibach - Opus Dei (Sample Song)
I had a hard time figuring one which of the 3 bands from part one of Industrial Metal Insanity to put here. I knew right away that Throbbing Gristle wasn’t going to be on here, but choosing between Laibach & Nine Inch Nails was a little tricky. Ultimately, I decided to have Laibach take this spot, as while Pretty Hate Machine had all the bells & whistles of an Industrial Metal group, Laibach felt like one more. Opus Dei may not have any metal in it, but the band really cranked up the Industrial with their 3rd release. Better production quality & better sound when compared to other 80s Industrial music guaranteed that it would stay in people’s memories. If you want to hear one of the progenitors of this genre, then Opus Dei is a perfect place to start.
2) Minister - Psalm 69 (Sample Song)
I was incredibly tempted to put Rio Grande Blood here. If you saw my Ministry overview (Which you can read here), not to mention my review for the album from last month (Which you can read here), you know I speak quite fondly of it. Putting objectivity into the equation, I decided to put their first release of the 90s on this list instead. The first full-blown Industrial Metal album, Psalm 69 really blew people’s minds away back in 1992, and served as a launching pad for many Industrial bands in that decade. Like Opus Dei it has weathered the decades well, and is really something potential Ministry fans should try. You won’t regret it!
3) Samael - Passage (Sample Song)
Of all the Industrial Metal bands I’ve discovered, none have ever intrigued or fascinated me quite like this group from Sion, Switzerland. First starting off as a Black Metal band, they became something more once they began to incorporate Industrial elements, and by the mid 90s, they merged into a full-blown Industrial/Black Metal group. Even over 2 decades since it’s release, Passage has been praised for pushing the Industrial Black Metal style into the spotlight. If you happen to like your Black Metal a little more electronic, you might like Passage. Give it a go, and see what you think.
4) Rammstein - Mutter (Sample Song) & Turmion Kätilöt - Dance Panique (Sample Song)
I genuinely do the best I can to not do ties on these lists (Ironic, given who’s at 5). I really do! However, when the time came to make this post, these two bands had to be here. First up is Mutter: the very first time I ever heard Industrial Metal, much less a metal band from a foreign country, I was hooked immediately. As I stated in my review at the start of this month (Which you can read here), this was a completely new musical experience for me. It’s moments like that you don’t feel often in life, but when you do it’s magical.
Turmion Kätilöt, on the other hand, are kind of different. I didn’t discover them on my own, but rather were suggested to me by an acquaintance of mine way back in my college days (A friend at the time was directed towards this band as well). Whereas Rammstein was a well-oiled machine, Turmion Kätilöt was a chaotic mass of pain, sensuality, and fun. Their latest album (Soon to be replaced by their record coming out in September this year), Dance Panique really personifies this. From the title track all the way to the ending song, you are in for a really wild ride. In fact, I use the music video as an intro to a rather risque series of panels I host. Given what’s in the video, you shouldn’t be surprised.
5) Kreator - Endorama (Sample Song) & Septicflesh - Revolution DNA (Sample Song)
I’ve already kind of touched on this first album back in my 5 Thrash Albums You Should own (Which you can see here), so I won’t repeat every single detail here again. I will say that for a band that transitioned from Thrash Metal to Industrial Metal (With some Gothic Metal hints), Kreator did it surprisingly well. There’s bare hints of Thrash on Endorama, but they’re so minor that it’s incredibly hard to tell. Regardless, give Endorama a try, and see if it makes it to your collection.
Revolution DNA is kind of in the same boat. Since the Ophidian Wheel, Septicflesh experimented with newer styles. First they began with Gothic Metal, and by the late 90s embraced Industrial Metal as well. The end result is an album that knows exactly what it is, but at the same time doesn’t necessarily forget when the band first came from. The record is really interesting to listen to, but it’s such a shame that outside of Septicflesh’s fans (Or Industrial Metal fans in general), Revolution DNA isn’t really well known.
So these were 5 Industrial Metal albums you should own. This metal subgenre isn’t for everybody. Not by a longshot! However, if one was to get into the style, then anyone of these albums were probably the gateway into one of the more unique styles of Heavy Metal. So with that, our 3rd music festival is now closed, and I hope you had a lot of fun. See you all in a few weeks, when one of the most essential Gothic Metal albums has it’s 25th anniversary. See you then!
***
For my review of Revolution DNA, check out the link below:
Revolution DNA (Review)
Monday, August 6, 2018
Album Review - Rammstein's Reise Reise (Japanese Edition)
Welcome back to my Rammstein reviews fellow Otaku & Metalheads!
I’m still surprised that I took me this long to do reviews from the first ever band I covered in my overview series. Rammstein is a band that just about anybody who’s a fan of Industrial Metal in the United States, and to not cover them after giving them such a big look at the start of 2015 is a crime in my opinion. Last week I covered the album that brought me into the Rammstein fold, and today I’m taking a look at the record that gave the band some new energy. So get your survival gear & compass, make sure you’re bundled up, and enjoy my review for the 2004 hit Reise Reise......or more specifically......the 2005 Japanese Edition of Reise Reise. Let’s begin!
Background
With the release of Mutter, Rammstein had become a smash success. With many of the songs become fan favorites here in the states, it would seem likely that the band would be stronger than ever. Sadly, there were issues within the group: tensions seemed high, and at times it appeared as if they were moments away from breaking up (It was during this time that Richard Kruspe began to form the basics of Emigrate, which I’ll cover in it’s own mini-overview eventually). To prevent this, they decided that a break was in order so that splitting up wouldn’t occur. And so for a small few years they went their separate ways, but never forgot that the fans were out there. Getting back together, they made their way to El Cortijo Studios in Spain, and from 2002 to 2003, recorded what would become their next release, and on September the 24th, 2004, Reise Reise was released.
Taken from Wikipedia:
“The album was recorded in Spain (El Cortijo Studio, Malaga) and produced by Jacob Hellner and Rammstein. The band recorded several songs during the sessions for "Reise, Reise" which were omitted from the album's final track listing and were later released on their follow-up album Rosenrot. A statement from the band's management regarding the upcoming collection reads as follows:
After the production period of the album, there were many songs which did not find a place on 'Reise, Reise' due to dramaturgical reason but are now completed. This is not unusual. As 'Ohne Dich' derived from the production of 'Mutter', many songs have been sitting to be completed for a year and shall now come to light. Which songs remains to be seen and is up to the band only.
The record company stated:
"When we were introduced to the tracks of "Reise, Reise", many fascinating songs were among them, which were suddenly missing on the album. Among others I remember one song, which we all believed to be the first single of the album. The song was "Rosenrot", and when we had to realize that the band changed their minds and it did not even make it on to the album, we were speechless. The album was perfect nevertheless, but their enormous self-confidence surprised us."”
The reception for Reise Reise was mixed from music critics. David Jeffries from Allmusic gave the album 3 out of 5 stars, stating that the content "is more of the same: the same grit, the same growl, and the same dramatic, orchestra choruses" and that “the lead single, "Mein Teil" is no "Du Hast" but the damning "Amerika" almost equals their breakthrough track”. He goes on to say that there was a bit more ingenuity in the production and a little more focus in the songs but it wasn't "enough for the nonfaithful to pick up on". Vaz Malik from the BBC also gave Reise Reise a mixed rating, saying that the band could probably be "a lot bigger" in the United States if they opted to sing in English, but "German sounds a lot more threatening and it's done them no harm in their homeland". PopMatters writer Tim O'Neil gave the album a favorable review and said: "for those with the patience to look beyond the "Teutonic bluster" and punk insouciance, "Reise Reise" will be a uniquely rewarding experience."
Reise Reise managed to sell 26,716 copies in the United States in its first week of release in November 2004, managing to snag the no. 61 on The Billboard 200 chart. It also managed to get into the top 10 charts in several European charts and reached number one hit in Germany, Austria, Switzerland, Iceland, Finland, Estonia and Mexico. As of February 2006, Reise Reise has shipped 1.5 million copies globally.
Background (Part 2)
Okay, here’s where things get dark.....really dark.
Rammstein typically gets their inspiration from a lot of sources. Famous lunatics, politics, and many other more grim & serious things. However, with Reise Reise, they got their travel & exploration theme from the disastrous Japan Airlines 123 crash. On August 12th 1985, the flight in question would suffer a serious catastrophic malfunction due to faulty repair work (The plane in question got into an accident 7 years earlier). The faulty repair work in question would cause rapid decompression, ripped off a large portion of the tail, and caused the loss of hydraulic controls to the entire plane. The plane would crash into the area of Mount Takamagahara, Ueno, Gunma Prefecture, 100 kilometers (62 miles) from Tokyo thirty-two minutes after taking off. All of the crew were killed, and 505 out of the 509 passenger would die as well. It was considered one of the worst aviation disasters in Japan’s history (The 2nd was the 1977 Tenerife airport disaster), one of the worst Boeing 737 disasters, and is still considered the worst aircraft disaster in all of flight’s history, even in 2018. So what else does this have to do with Rammstein you ask?
In addition to using this disaster, the band used the final 30 seconds of 123's black box, and made the album cover to look like a black box (With the words “Do Not Open” on the front of the cover). Not necessarily wanting to cause a stir in the land of the rising sun, they took out the 30 seconds, replaced the album artwork with a slightly modified version of Rosenrot’s artwork (Which they would reuse again on Rosenrot itself), and put on 2 remixes of songs to replace what was taken out. Ironically, Reise Reise would get re-released in 2009, complete with the original artwork & 30 seconds of audio, but keeping the remixes on. That version I’ve never been able to find. Here's what the American/European one looks like:
Basic Description
Familiar yet different.
I found it strange listening to the American & Japanese edition back to back. Outside of some small elements, they’re practically the same. The same songs, the same amount of songs, and for the most part the same running time (More on that below). If they’re so similar, then why do I seem to like this version more? I’m not exactly sure. I didn’t feel any different listening to the Japanese version when I compared it to the American version.....but it’s the little things that charmed me. Using alternate artwork, taking out some audio, and replacing said audio with special songs, almost makes it feel like I’m listening to a completely different album. It’s really something to experience oddly enough, and I challenge anybody who reads this to listen to both version back to back. Maybe you’ll feel the same way I did when I was done.
Best Track
I gotta give some love to Amerika for being the best track. Though I especially enjoy the English translated version (Which you can listen to here), I admit that the original version still charms me on occasion. For the longest time, I always thought that this song was a positive look on the United States. Sure some of the imagery was a little odd, but overall I thought it was positive. After doing some research, and brushing my ignorance off, I realized that I was a negative look at the U.S., or more specifically how the U.S.’s culture can overwhelming many other cultures of the world. I admit at first I was offended, but getting some flashes of our then president George W. Bush shortly after......that offense quickly went away.
Amerika
Since I’m covering the Japanese edition of this album, I gotta talk about the two bonus tracks. Since the 2005 Japanese version had the black box audio taken out, some other material was put in as a substitute. For starters, we got a funky remix of Meil Teil done by the Pet Shop Boys (An iconic group in their own right), and a alternative edition of Amerika. Called the “Digital Hardcore Mix”, this version seems a bit more aggressive, and is a little more likely to go for the jugular than the original. Like I said earlier, taking out some audio, replacing it with different material, and creating a brand cover really does make for something new. While these two remixes do make for a slightly longer album, it’s strangely worth it.
Meil Teil (Pet Shop Boys Remix)
Amerika (Digital Hardcore Mix)
Worst Track
Absolutely nothing! Whether it’s the American, European, or Japanese edition, Rammstein really crafted a perfect album. From top to bottom, every song is great to listen to, even if some aren’t my favorite. The only real fault lies with the Japanese Edition, and I think you all know where this is going. Coming out in 2005, this edition is well over a decade old (It’s 13 years old at this point), and finding it online for purchase is next to impossible, especially in an American market. I was fortunate to find a few copies on Amazon way back in 2010, and my Grandmother on my Mom’s side bought it for me for I think close to 40 dollars (That’s with tax included I believe), which is actually cheap considering how expensive other Japanese releases of western albums can be. Finding a link to download this version isn’t impossible, but finding a reliable link can be tricky.
Apart from that, the only other thing one could complain about is that the Japanese Edition is basically the same as that of the American and European. Some fundamental aspects are most definitely different, but overall nothing is really different about the music. To be honest, the only reason to get this version besides the extra tracks, is purely for collecting.
Other
If you’re curious about listening to this album, then check out the links below:
Reise Reise (1 Song Is Missing)
Overall Impression & Rating
Reise Reise in and of itself is a great album. Rammstein really felt like a refreshed band when they released it, and it shows by how incredibly well aged it is. The Japanese Edition is pretty much in the same both. Despite basically being the same thing, it’s the little stuff that was tweaking & changed & added on that really give it an identity of it’s own. If you’ve got the cash to buy a copy, or at the very least know of some music sites with a possible download link, it really is worth pursuing.
Reise Reise: Japanese Edition gets a 9 out of 10.
So this was the last review of Industrial Metal Insanity, and it ended on a high note. Reise Reise has really become the gold standard out of all of Rammstein’s albums, and there’s a reason you hear the title track at their shows. Whether it’s the American, European, or Japanese edition, you’ll have one of the 2000s’s best metal albums period. I’ll see you all next week, when I’ll show off some Industrial Metal albums that are essential for one’s collection. See you then!
***
If you’re curious about the events that led to the crash of Japan Airlines 123, along with the subsequent black box recording, then check out the links below:
Japan Airlines Flight 123 (Wikipedia)
Japan Airlines Flight 123 Black Box (Youtube)(The Final 30 seconds is what’s on the American/ European album)
I’m still surprised that I took me this long to do reviews from the first ever band I covered in my overview series. Rammstein is a band that just about anybody who’s a fan of Industrial Metal in the United States, and to not cover them after giving them such a big look at the start of 2015 is a crime in my opinion. Last week I covered the album that brought me into the Rammstein fold, and today I’m taking a look at the record that gave the band some new energy. So get your survival gear & compass, make sure you’re bundled up, and enjoy my review for the 2004 hit Reise Reise......or more specifically......the 2005 Japanese Edition of Reise Reise. Let’s begin!
Background
With the release of Mutter, Rammstein had become a smash success. With many of the songs become fan favorites here in the states, it would seem likely that the band would be stronger than ever. Sadly, there were issues within the group: tensions seemed high, and at times it appeared as if they were moments away from breaking up (It was during this time that Richard Kruspe began to form the basics of Emigrate, which I’ll cover in it’s own mini-overview eventually). To prevent this, they decided that a break was in order so that splitting up wouldn’t occur. And so for a small few years they went their separate ways, but never forgot that the fans were out there. Getting back together, they made their way to El Cortijo Studios in Spain, and from 2002 to 2003, recorded what would become their next release, and on September the 24th, 2004, Reise Reise was released.
Taken from Wikipedia:
“The album was recorded in Spain (El Cortijo Studio, Malaga) and produced by Jacob Hellner and Rammstein. The band recorded several songs during the sessions for "Reise, Reise" which were omitted from the album's final track listing and were later released on their follow-up album Rosenrot. A statement from the band's management regarding the upcoming collection reads as follows:
After the production period of the album, there were many songs which did not find a place on 'Reise, Reise' due to dramaturgical reason but are now completed. This is not unusual. As 'Ohne Dich' derived from the production of 'Mutter', many songs have been sitting to be completed for a year and shall now come to light. Which songs remains to be seen and is up to the band only.
The record company stated:
"When we were introduced to the tracks of "Reise, Reise", many fascinating songs were among them, which were suddenly missing on the album. Among others I remember one song, which we all believed to be the first single of the album. The song was "Rosenrot", and when we had to realize that the band changed their minds and it did not even make it on to the album, we were speechless. The album was perfect nevertheless, but their enormous self-confidence surprised us."”
The reception for Reise Reise was mixed from music critics. David Jeffries from Allmusic gave the album 3 out of 5 stars, stating that the content "is more of the same: the same grit, the same growl, and the same dramatic, orchestra choruses" and that “the lead single, "Mein Teil" is no "Du Hast" but the damning "Amerika" almost equals their breakthrough track”. He goes on to say that there was a bit more ingenuity in the production and a little more focus in the songs but it wasn't "enough for the nonfaithful to pick up on". Vaz Malik from the BBC also gave Reise Reise a mixed rating, saying that the band could probably be "a lot bigger" in the United States if they opted to sing in English, but "German sounds a lot more threatening and it's done them no harm in their homeland". PopMatters writer Tim O'Neil gave the album a favorable review and said: "for those with the patience to look beyond the "Teutonic bluster" and punk insouciance, "Reise Reise" will be a uniquely rewarding experience."
Reise Reise managed to sell 26,716 copies in the United States in its first week of release in November 2004, managing to snag the no. 61 on The Billboard 200 chart. It also managed to get into the top 10 charts in several European charts and reached number one hit in Germany, Austria, Switzerland, Iceland, Finland, Estonia and Mexico. As of February 2006, Reise Reise has shipped 1.5 million copies globally.
Background (Part 2)
Okay, here’s where things get dark.....really dark.
Rammstein typically gets their inspiration from a lot of sources. Famous lunatics, politics, and many other more grim & serious things. However, with Reise Reise, they got their travel & exploration theme from the disastrous Japan Airlines 123 crash. On August 12th 1985, the flight in question would suffer a serious catastrophic malfunction due to faulty repair work (The plane in question got into an accident 7 years earlier). The faulty repair work in question would cause rapid decompression, ripped off a large portion of the tail, and caused the loss of hydraulic controls to the entire plane. The plane would crash into the area of Mount Takamagahara, Ueno, Gunma Prefecture, 100 kilometers (62 miles) from Tokyo thirty-two minutes after taking off. All of the crew were killed, and 505 out of the 509 passenger would die as well. It was considered one of the worst aviation disasters in Japan’s history (The 2nd was the 1977 Tenerife airport disaster), one of the worst Boeing 737 disasters, and is still considered the worst aircraft disaster in all of flight’s history, even in 2018. So what else does this have to do with Rammstein you ask?
In addition to using this disaster, the band used the final 30 seconds of 123's black box, and made the album cover to look like a black box (With the words “Do Not Open” on the front of the cover). Not necessarily wanting to cause a stir in the land of the rising sun, they took out the 30 seconds, replaced the album artwork with a slightly modified version of Rosenrot’s artwork (Which they would reuse again on Rosenrot itself), and put on 2 remixes of songs to replace what was taken out. Ironically, Reise Reise would get re-released in 2009, complete with the original artwork & 30 seconds of audio, but keeping the remixes on. That version I’ve never been able to find. Here's what the American/European one looks like:
Basic Description
Familiar yet different.
I found it strange listening to the American & Japanese edition back to back. Outside of some small elements, they’re practically the same. The same songs, the same amount of songs, and for the most part the same running time (More on that below). If they’re so similar, then why do I seem to like this version more? I’m not exactly sure. I didn’t feel any different listening to the Japanese version when I compared it to the American version.....but it’s the little things that charmed me. Using alternate artwork, taking out some audio, and replacing said audio with special songs, almost makes it feel like I’m listening to a completely different album. It’s really something to experience oddly enough, and I challenge anybody who reads this to listen to both version back to back. Maybe you’ll feel the same way I did when I was done.
Best Track
I gotta give some love to Amerika for being the best track. Though I especially enjoy the English translated version (Which you can listen to here), I admit that the original version still charms me on occasion. For the longest time, I always thought that this song was a positive look on the United States. Sure some of the imagery was a little odd, but overall I thought it was positive. After doing some research, and brushing my ignorance off, I realized that I was a negative look at the U.S., or more specifically how the U.S.’s culture can overwhelming many other cultures of the world. I admit at first I was offended, but getting some flashes of our then president George W. Bush shortly after......that offense quickly went away.
Amerika
Since I’m covering the Japanese edition of this album, I gotta talk about the two bonus tracks. Since the 2005 Japanese version had the black box audio taken out, some other material was put in as a substitute. For starters, we got a funky remix of Meil Teil done by the Pet Shop Boys (An iconic group in their own right), and a alternative edition of Amerika. Called the “Digital Hardcore Mix”, this version seems a bit more aggressive, and is a little more likely to go for the jugular than the original. Like I said earlier, taking out some audio, replacing it with different material, and creating a brand cover really does make for something new. While these two remixes do make for a slightly longer album, it’s strangely worth it.
Meil Teil (Pet Shop Boys Remix)
Amerika (Digital Hardcore Mix)
Worst Track
Absolutely nothing! Whether it’s the American, European, or Japanese edition, Rammstein really crafted a perfect album. From top to bottom, every song is great to listen to, even if some aren’t my favorite. The only real fault lies with the Japanese Edition, and I think you all know where this is going. Coming out in 2005, this edition is well over a decade old (It’s 13 years old at this point), and finding it online for purchase is next to impossible, especially in an American market. I was fortunate to find a few copies on Amazon way back in 2010, and my Grandmother on my Mom’s side bought it for me for I think close to 40 dollars (That’s with tax included I believe), which is actually cheap considering how expensive other Japanese releases of western albums can be. Finding a link to download this version isn’t impossible, but finding a reliable link can be tricky.
Apart from that, the only other thing one could complain about is that the Japanese Edition is basically the same as that of the American and European. Some fundamental aspects are most definitely different, but overall nothing is really different about the music. To be honest, the only reason to get this version besides the extra tracks, is purely for collecting.
Other
If you’re curious about listening to this album, then check out the links below:
Reise Reise (1 Song Is Missing)
Overall Impression & Rating
Reise Reise in and of itself is a great album. Rammstein really felt like a refreshed band when they released it, and it shows by how incredibly well aged it is. The Japanese Edition is pretty much in the same both. Despite basically being the same thing, it’s the little stuff that was tweaking & changed & added on that really give it an identity of it’s own. If you’ve got the cash to buy a copy, or at the very least know of some music sites with a possible download link, it really is worth pursuing.
Reise Reise: Japanese Edition gets a 9 out of 10.
So this was the last review of Industrial Metal Insanity, and it ended on a high note. Reise Reise has really become the gold standard out of all of Rammstein’s albums, and there’s a reason you hear the title track at their shows. Whether it’s the American, European, or Japanese edition, you’ll have one of the 2000s’s best metal albums period. I’ll see you all next week, when I’ll show off some Industrial Metal albums that are essential for one’s collection. See you then!
***
If you’re curious about the events that led to the crash of Japan Airlines 123, along with the subsequent black box recording, then check out the links below:
Japan Airlines Flight 123 (Wikipedia)
Japan Airlines Flight 123 Black Box (Youtube)(The Final 30 seconds is what’s on the American/ European album)
Wednesday, August 1, 2018
Album Review - Rammstein's Mutter
I’m genuinely shocked at myself fellow Otaku & Metalheads.
I am shocked that it took me over 3 years to cover this band. 3 years to put one of my favorite groups on stage for a moment, and 3 years to finally talk about them. Given that the first ever overview I made covered these guys, I’m amazed that it took me this long to cover these guys in a couple reviews. Give that I used the number 3 three times, you probably guessed that I’m covering Rammstein.
That’s right, the final month of Industrial Metal Insanity is dedicated to these 6 Teutonic titans! One of the most recognizable acts in Industrial Metal, Rammstein has left a legacy of music that has withstood the test of time. For over a decade & a half, they have toured the world & left a mark upon each & every concert goer, and for people in the United States, they are high on the totem pole of musicians in this genre. Although I wasn’t subtle with my hint of who I was going to cover in August, I felt that the time was right to cover my number 3 band of all time. So sit back, get into the rhythm, and enjoy my review for their first release of the 2000s, Mutter. Let’s begin.
Background
The 90s were the proving ground for Rammstein. Overcoming stereotypes in their native Germany, they cranked out 2 fantastic albums, and managed to put out a decent live release. When they were in the sight of U.S. metal fans, they immediately became permanent fixtures, and people wanted more. However, nobody was prepared for the shockwave that was Mutter! From September to December 1999, the band rented the house Weimar in Heiligendamm on the Baltic Sea for pre-production and the sound recordings took place from May to June 2000 at Studio Miraval in southern France. In December of 2000 they release a video for Links 2 3 4 on their website & in January of 2001 a video for Sonne was put on there as well. Finally, on the second of April in 2001, Mutter was released to the public.
Reception for Mutter was pretty high back in the day. It reached 77 on the U.S. Billboard 200, and no. 1 on Germany’s Offizielle Top 100. In 2005 it was ranked number 324 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time. In a 2016 article published by uDiscover, writer Oran O'Beirne described the album as "one of the most important contemporary releases within heavy metal’s many subgenres.", and in an interview in Noizr Zine, producer and musician Peter Tägtgren had this to say about Mutter as a reference work for producers who were just starting their career:
“I think, if you are not into death metal or something like that, but if you are into metal, I would say maybe Rammstein’s "Mutter" is very good, because it has a lot of different elements, it has orchestra parts, heavy guitars, good drum sound — that could be a good reference.”
Basic Description
A Pleasant Surprise
If there’s one thing I noticed about discovering bands by accident, it’s that 9 times out of 10, you will like a band this way. Whether it’s due to an impulse buy at your local music store, or seeing something odd in your Youtube suggestion section, or hearing something random come on the radio (A rarity nowadays), you will enjoy an accidental music discovery, and I most definitely did in the case of Mutter. I was 15 at the time I discovered my favorite track off this album, and my folks (Mostly my Mom) were lessening the restraints on what I was allowed to listen to. Mutter felt like the first “Mature” record in my music collection, despite not having a warning label. Not only that, but it was a form of Heavy Metal I wasn’t really familiar with. I can’t describe this release any further, and the only thing left I can say is to seek this out & give it a listen to.
Best Track
I think Ich Will is the best song of this album. Probably a lot of people from my generation got into this band because of this song, whether they were directed towards it, or found it by accident (I belong into the 2nd category). When I first heard it on the radio (On a long defunct radio channel), I was awed! I knew it was metal, but it was metal I never heard of before. I never heard such beats, rhythms, and effects before. Even Till Lindemann’s singing was completely new to me, as it was sung in a language I didn’t really hear much beforehand (Cue “Dumb American Doesn’t Know What German Is” joke & wait for laugh track). This new sensation told me to go along with these guys, and see what new things are down the road. Needless to say, it was definitely worth it.
Ich Will
Worst Track
Like I said back in my overview, Mutter has not weathered the years since it’s release. To be honest, Rammstein’s earliest material has not aged the best when compared to their later material (Listen to Herzeleid & tell me otherwise). The recording technology used to produce this album makes the whole thing sound a little dated, and some of the effects seem a little corny. However, in defense of their 1st entry into the 2000s, it has aged the best out of their first period. The recording technology of the early 2000s far surpasses what was available in the 90s. The music sounds smoother, and the sound effects just come across as higher quality. Again you can still tell it’s age, but it’s aged the best out of Rammstein’s 1st period of music.
Other
If you’re curious about listening to this album, then check out the link below:
Mutter
Overall Impression & Rating
Mutter is an Industrial tour-de-force of the 2000s. Though it shows it’s age, it holds up better when compared to other Industrial Metal albums of the late 90s/early 2000s. It brought me into the world of Rammstein, and acted as a hub for me to discover other bands in the genre. Even upon discovering other Industrial bands, I never turned my back on the album that pulled me in. I bet than many other fans who found this album feel the same way.
Mutter gets an 8 out of 10.
So that was Mutter. Their first album of the 2000s, it showed that these Teutonic badasses were here to stay. However, conflict within the band sent the various members to blow off steam, but 3 years later they would comeback even stronger than before. So join me next week, when we’ll take a look at their 2004 return....but with an Asian twist!
I am shocked that it took me over 3 years to cover this band. 3 years to put one of my favorite groups on stage for a moment, and 3 years to finally talk about them. Given that the first ever overview I made covered these guys, I’m amazed that it took me this long to cover these guys in a couple reviews. Give that I used the number 3 three times, you probably guessed that I’m covering Rammstein.
That’s right, the final month of Industrial Metal Insanity is dedicated to these 6 Teutonic titans! One of the most recognizable acts in Industrial Metal, Rammstein has left a legacy of music that has withstood the test of time. For over a decade & a half, they have toured the world & left a mark upon each & every concert goer, and for people in the United States, they are high on the totem pole of musicians in this genre. Although I wasn’t subtle with my hint of who I was going to cover in August, I felt that the time was right to cover my number 3 band of all time. So sit back, get into the rhythm, and enjoy my review for their first release of the 2000s, Mutter. Let’s begin.
Background
The 90s were the proving ground for Rammstein. Overcoming stereotypes in their native Germany, they cranked out 2 fantastic albums, and managed to put out a decent live release. When they were in the sight of U.S. metal fans, they immediately became permanent fixtures, and people wanted more. However, nobody was prepared for the shockwave that was Mutter! From September to December 1999, the band rented the house Weimar in Heiligendamm on the Baltic Sea for pre-production and the sound recordings took place from May to June 2000 at Studio Miraval in southern France. In December of 2000 they release a video for Links 2 3 4 on their website & in January of 2001 a video for Sonne was put on there as well. Finally, on the second of April in 2001, Mutter was released to the public.
Reception for Mutter was pretty high back in the day. It reached 77 on the U.S. Billboard 200, and no. 1 on Germany’s Offizielle Top 100. In 2005 it was ranked number 324 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time. In a 2016 article published by uDiscover, writer Oran O'Beirne described the album as "one of the most important contemporary releases within heavy metal’s many subgenres.", and in an interview in Noizr Zine, producer and musician Peter Tägtgren had this to say about Mutter as a reference work for producers who were just starting their career:
“I think, if you are not into death metal or something like that, but if you are into metal, I would say maybe Rammstein’s "Mutter" is very good, because it has a lot of different elements, it has orchestra parts, heavy guitars, good drum sound — that could be a good reference.”
Basic Description
A Pleasant Surprise
If there’s one thing I noticed about discovering bands by accident, it’s that 9 times out of 10, you will like a band this way. Whether it’s due to an impulse buy at your local music store, or seeing something odd in your Youtube suggestion section, or hearing something random come on the radio (A rarity nowadays), you will enjoy an accidental music discovery, and I most definitely did in the case of Mutter. I was 15 at the time I discovered my favorite track off this album, and my folks (Mostly my Mom) were lessening the restraints on what I was allowed to listen to. Mutter felt like the first “Mature” record in my music collection, despite not having a warning label. Not only that, but it was a form of Heavy Metal I wasn’t really familiar with. I can’t describe this release any further, and the only thing left I can say is to seek this out & give it a listen to.
Best Track
I think Ich Will is the best song of this album. Probably a lot of people from my generation got into this band because of this song, whether they were directed towards it, or found it by accident (I belong into the 2nd category). When I first heard it on the radio (On a long defunct radio channel), I was awed! I knew it was metal, but it was metal I never heard of before. I never heard such beats, rhythms, and effects before. Even Till Lindemann’s singing was completely new to me, as it was sung in a language I didn’t really hear much beforehand (Cue “Dumb American Doesn’t Know What German Is” joke & wait for laugh track). This new sensation told me to go along with these guys, and see what new things are down the road. Needless to say, it was definitely worth it.
Ich Will
Worst Track
Like I said back in my overview, Mutter has not weathered the years since it’s release. To be honest, Rammstein’s earliest material has not aged the best when compared to their later material (Listen to Herzeleid & tell me otherwise). The recording technology used to produce this album makes the whole thing sound a little dated, and some of the effects seem a little corny. However, in defense of their 1st entry into the 2000s, it has aged the best out of their first period. The recording technology of the early 2000s far surpasses what was available in the 90s. The music sounds smoother, and the sound effects just come across as higher quality. Again you can still tell it’s age, but it’s aged the best out of Rammstein’s 1st period of music.
Other
If you’re curious about listening to this album, then check out the link below:
Mutter
Overall Impression & Rating
Mutter is an Industrial tour-de-force of the 2000s. Though it shows it’s age, it holds up better when compared to other Industrial Metal albums of the late 90s/early 2000s. It brought me into the world of Rammstein, and acted as a hub for me to discover other bands in the genre. Even upon discovering other Industrial bands, I never turned my back on the album that pulled me in. I bet than many other fans who found this album feel the same way.
Mutter gets an 8 out of 10.
So that was Mutter. Their first album of the 2000s, it showed that these Teutonic badasses were here to stay. However, conflict within the band sent the various members to blow off steam, but 3 years later they would comeback even stronger than before. So join me next week, when we’ll take a look at their 2004 return....but with an Asian twist!
Monday, July 30, 2018
Album Review - Ministry's AmeriKKKant
Part 2 of Industrial Metal Insanity is at it’s end fellow Otaku & Metalheads!
All throughout this month, we’ve taken a look at American icons Ministry. We started off with the classic Psalm 69, then we moved to the mid-2000s with Rio Grand Blood. Now we come to 2018, to take a look at their most recent offering, and not a moment too soon! With opinions on American politics at an all time low, and one of the most despicable people in existence is our current president, it was too easy of an opportunity for Ministry to pounce on. So far, this release has been the only good thing to come from the reign of Trump, but let us hope there’s more. So get on your war face, hold up a protest sign, and take a look at my review for AmeriKKKant. Let’s begin!
Background
Taken from Wikipedia:
“Frontman Al Jourgensen had previously stated that From Beer to Eternity would be Ministry's final studio album, following the death of longtime guitarist Mike Scaccia, who appears posthumously on the aforementioned album. However, in an April 2016 interview with Loudwire, he stated that they would make a follow-up album "if the circumstances are right."
When asked in July 2016 whether Ministry was going to release another album after From Beer to Eternity, Jourgensen stated, "When I was asked, it was after Mikey passed and the entire media immediately starts asking me what is going to happen to Ministry. He wasn't even buried yet. I thought, 'Fuck you.' I was really pissed and really angry. I said, 'Fuck Ministry and fuck you for asking.' They want to comment on Ministry when my best friend had died. It's been more than two years now, and I got more ideas and I have done albums with Mikey and have done them without him. It's time to get another record out. I have a bunch of songs written in my head. I wanted to have time to mourn before people start asking me about touring dates. It was sick. I was bombarded and email boxes were overloaded with 'what are you going to do now?' It was kind of creepy."
By February 2017, Ministry had begun working on their fourteenth studio album, titled AmeriKKKant. It was later revealed that the album would include guest appearances from Burton C. Bell of Fear Factory, former N.W.A member Arabian Prince, DJ Swamp and Lord of the Cello. During their performance at the Blackest of the Black Fest in Silverado, California in May 2017, Ministry debuted their first song in four years, "Antifa", which, at the time, was expected to appear on AmeriKKKant.
In September 2017, it was announced that Ministry had signed to Nuclear Blast, and that the album's planned late 2017 release date had been pushed back to March 2018, due to "promotional plans and manufacturing deadlines." The album's release date, artwork and track listing were revealed on December 11, 2017.”
AmeriKKKant’s reception has been rather middling with music critics. Allmusic writer Paul Simpson gave the release 2 out of 5 stars, and said that “AmeriKKKant finds the industrial metal juggernauts railing against the alt-right, racist Internet trolls, fake news, and everything else to do with the aftermath of the 2016 election. While some of the Bush-era albums found the group reinvigorated after the lackluster Filth Pig and Dark Side of the Spoon, AmeriKKKant is just a depressing slog through and through, perfectly summed up by its Statue of Liberty faceplant cover art.”
Basic Description
Music we need.
I have to confess....my heartstrings were pulled a little when I found out that Ministry would be coming back, and this would mark their return. Considering how set Al Jourgenson was in the decision of the band no longer existing, it was quite shocking to see them return, although given that he released a solo project in 2016, the shock factor might not be as high as I think. All that aside, AmeriKKKant is the only good think to have come from Donald Trump’s presidency so far. Channeling the political rage & cynicism from their George W. Bush themed albums, the record is all the more potent when new musical elements & fresher recording/production technology are added to the mix. There is a little bit of stumbling to be had when it comes to some of the politics (More on that below), but when Uncle Al & the rest of the band get up onto their feet, they definitely deliver on the music.
Best Track
I gotta give the title of “Best Track” to Twilight Zone. The 3rd single of the album, the song gives off a serious Filth Pig vibe, and I’m not the only one that thinks this. Just check out the comment section music video: there are many people (Apart from the obvious negative ones) who have said the same thing. It’s a dark & dirty song, with one foot in the mid-90s past, and another foot in our modern time. Thanks to guest spots from Lord of the Cello (Sample here) and DJ Swamp (Who’s style of scratching records isn’t a 100% rap/hip hop style. Sample here), the end result is a sinister affair, but one that’s honest in how sinister it is. Definitely a great way to open the album!
Twilight Zone
A good 2nd track off of AmeriKKKant would go to the ode to sex & violence that is Wargasm. Feeling more like a song from Ministry’s “Bush Era” days, we have guest vocals from Burton C. Bell of Fear Factory, and while he’s only around for 2 monologs, he definitely pulls his weight. On top of that, the Thrash flavorings of the mid-2000s is still present on here, and it brought back some nostalgic feelings for me when I first heard it as the 2nd single of the album. Compared to the first single we got (More on that below), these 2 tunes have some meat on them, and I love the taste of it.
Wargasm
Worst Track
Like I said when I updated the Ministry overview, Antifa has to be the single worst song on the album. It’s not because of the instrumentation, cause it’s not half bad. It not because of Al Jourgenson’s vocal work, cause it’s good (Although it’s a little weak in some spots). No, Antifa is a horrible song because of it’s politics. As much as I can be a Democrat/Liberal at times, I in no way support these buffoons. They’ve done more harm than good, and using this track as the first single is a really stupid move. On top of that, this single song is proof that Uncle Al may have finally jumped into the political loony bin when it comes to leftist politics. To use this track as the first single is quite possibly the single biggest mistake of this release, and permanently damaged AmeriKKKant’s chances of being a classic. However, like I said in the overview, I give Antifa a weird form of respect, as it pissed off both the left & the right simultaneously when it came out. Gotta love stuff like that!
Antifa
The only other song on AmeriKKKant that’s bad would be the ode to internet insanity that is TV5/4Chan. Calling it a song is actually something of a joke, as it’s just 49 seconds of random noises & sound bits. This was 49 seconds that could have been used for any of the other tracks on this album. Even Antifa could have possibly benefitted from some extra time, but instead this waste of space was made. Do yourself a favor, and avoid this black spot.
TV5/4Chan
Apart from that, AmeriKKKant’s only real fault is how the album isn’t as subtle as Uncle Al said it was. In interviews before it was release, Al Jourgenson said he didn’t want a record that went for Trump’s throat directly, and instead wanted to criticize the circumstances that lead to his rise of power. On the surface it seems like the album indeed followed this mentality, but as you get further into it, you realize it isn’t quite as clever as Ministry makes you think it is. In a way I feel insulted by this, but at the same time.....considering who’s president....maybe subtly isn’t what we need.
Other
If you are curious about this album, then check out the link below:
AmeriKKKant
Overall Impression & Rating
AmeriKKKant.....is an album we needed. Yes, some of the politics aren’t very popular. Yes, a little bit of the music isn’t good. Yes, it’s not quite as clever as prior politically-charged Ministry releases. However, with the times we’re in, maybe something that’s a little more in your face than other protest-style records is needed. What Gods of Violence from Kreator was to last year, AmeriKKKant is to this year. If you can stomach a little bit of crazy politics, then you might want to give this album a try.
AmeriKKKant gets an 8 out of 10
So that was a look at the second return for Ministry, AmeriKKKant. It’s got some issues, and maybe a little bit of the politics goes off the deep end, but at the same time the music matches with the times. Now it’s time to take a gander at a Industrial Metal group on the other side of the world, so join me in a few days when I’ll take a look at a band that I’m surprised took me this long to do so. See you soon!
All throughout this month, we’ve taken a look at American icons Ministry. We started off with the classic Psalm 69, then we moved to the mid-2000s with Rio Grand Blood. Now we come to 2018, to take a look at their most recent offering, and not a moment too soon! With opinions on American politics at an all time low, and one of the most despicable people in existence is our current president, it was too easy of an opportunity for Ministry to pounce on. So far, this release has been the only good thing to come from the reign of Trump, but let us hope there’s more. So get on your war face, hold up a protest sign, and take a look at my review for AmeriKKKant. Let’s begin!
Background
Taken from Wikipedia:
“Frontman Al Jourgensen had previously stated that From Beer to Eternity would be Ministry's final studio album, following the death of longtime guitarist Mike Scaccia, who appears posthumously on the aforementioned album. However, in an April 2016 interview with Loudwire, he stated that they would make a follow-up album "if the circumstances are right."
When asked in July 2016 whether Ministry was going to release another album after From Beer to Eternity, Jourgensen stated, "When I was asked, it was after Mikey passed and the entire media immediately starts asking me what is going to happen to Ministry. He wasn't even buried yet. I thought, 'Fuck you.' I was really pissed and really angry. I said, 'Fuck Ministry and fuck you for asking.' They want to comment on Ministry when my best friend had died. It's been more than two years now, and I got more ideas and I have done albums with Mikey and have done them without him. It's time to get another record out. I have a bunch of songs written in my head. I wanted to have time to mourn before people start asking me about touring dates. It was sick. I was bombarded and email boxes were overloaded with 'what are you going to do now?' It was kind of creepy."
By February 2017, Ministry had begun working on their fourteenth studio album, titled AmeriKKKant. It was later revealed that the album would include guest appearances from Burton C. Bell of Fear Factory, former N.W.A member Arabian Prince, DJ Swamp and Lord of the Cello. During their performance at the Blackest of the Black Fest in Silverado, California in May 2017, Ministry debuted their first song in four years, "Antifa", which, at the time, was expected to appear on AmeriKKKant.
In September 2017, it was announced that Ministry had signed to Nuclear Blast, and that the album's planned late 2017 release date had been pushed back to March 2018, due to "promotional plans and manufacturing deadlines." The album's release date, artwork and track listing were revealed on December 11, 2017.”
AmeriKKKant’s reception has been rather middling with music critics. Allmusic writer Paul Simpson gave the release 2 out of 5 stars, and said that “AmeriKKKant finds the industrial metal juggernauts railing against the alt-right, racist Internet trolls, fake news, and everything else to do with the aftermath of the 2016 election. While some of the Bush-era albums found the group reinvigorated after the lackluster Filth Pig and Dark Side of the Spoon, AmeriKKKant is just a depressing slog through and through, perfectly summed up by its Statue of Liberty faceplant cover art.”
Basic Description
Music we need.
I have to confess....my heartstrings were pulled a little when I found out that Ministry would be coming back, and this would mark their return. Considering how set Al Jourgenson was in the decision of the band no longer existing, it was quite shocking to see them return, although given that he released a solo project in 2016, the shock factor might not be as high as I think. All that aside, AmeriKKKant is the only good think to have come from Donald Trump’s presidency so far. Channeling the political rage & cynicism from their George W. Bush themed albums, the record is all the more potent when new musical elements & fresher recording/production technology are added to the mix. There is a little bit of stumbling to be had when it comes to some of the politics (More on that below), but when Uncle Al & the rest of the band get up onto their feet, they definitely deliver on the music.
Best Track
I gotta give the title of “Best Track” to Twilight Zone. The 3rd single of the album, the song gives off a serious Filth Pig vibe, and I’m not the only one that thinks this. Just check out the comment section music video: there are many people (Apart from the obvious negative ones) who have said the same thing. It’s a dark & dirty song, with one foot in the mid-90s past, and another foot in our modern time. Thanks to guest spots from Lord of the Cello (Sample here) and DJ Swamp (Who’s style of scratching records isn’t a 100% rap/hip hop style. Sample here), the end result is a sinister affair, but one that’s honest in how sinister it is. Definitely a great way to open the album!
Twilight Zone
A good 2nd track off of AmeriKKKant would go to the ode to sex & violence that is Wargasm. Feeling more like a song from Ministry’s “Bush Era” days, we have guest vocals from Burton C. Bell of Fear Factory, and while he’s only around for 2 monologs, he definitely pulls his weight. On top of that, the Thrash flavorings of the mid-2000s is still present on here, and it brought back some nostalgic feelings for me when I first heard it as the 2nd single of the album. Compared to the first single we got (More on that below), these 2 tunes have some meat on them, and I love the taste of it.
Wargasm
Worst Track
Like I said when I updated the Ministry overview, Antifa has to be the single worst song on the album. It’s not because of the instrumentation, cause it’s not half bad. It not because of Al Jourgenson’s vocal work, cause it’s good (Although it’s a little weak in some spots). No, Antifa is a horrible song because of it’s politics. As much as I can be a Democrat/Liberal at times, I in no way support these buffoons. They’ve done more harm than good, and using this track as the first single is a really stupid move. On top of that, this single song is proof that Uncle Al may have finally jumped into the political loony bin when it comes to leftist politics. To use this track as the first single is quite possibly the single biggest mistake of this release, and permanently damaged AmeriKKKant’s chances of being a classic. However, like I said in the overview, I give Antifa a weird form of respect, as it pissed off both the left & the right simultaneously when it came out. Gotta love stuff like that!
Antifa
The only other song on AmeriKKKant that’s bad would be the ode to internet insanity that is TV5/4Chan. Calling it a song is actually something of a joke, as it’s just 49 seconds of random noises & sound bits. This was 49 seconds that could have been used for any of the other tracks on this album. Even Antifa could have possibly benefitted from some extra time, but instead this waste of space was made. Do yourself a favor, and avoid this black spot.
TV5/4Chan
Apart from that, AmeriKKKant’s only real fault is how the album isn’t as subtle as Uncle Al said it was. In interviews before it was release, Al Jourgenson said he didn’t want a record that went for Trump’s throat directly, and instead wanted to criticize the circumstances that lead to his rise of power. On the surface it seems like the album indeed followed this mentality, but as you get further into it, you realize it isn’t quite as clever as Ministry makes you think it is. In a way I feel insulted by this, but at the same time.....considering who’s president....maybe subtly isn’t what we need.
Other
If you are curious about this album, then check out the link below:
AmeriKKKant
Overall Impression & Rating
AmeriKKKant.....is an album we needed. Yes, some of the politics aren’t very popular. Yes, a little bit of the music isn’t good. Yes, it’s not quite as clever as prior politically-charged Ministry releases. However, with the times we’re in, maybe something that’s a little more in your face than other protest-style records is needed. What Gods of Violence from Kreator was to last year, AmeriKKKant is to this year. If you can stomach a little bit of crazy politics, then you might want to give this album a try.
AmeriKKKant gets an 8 out of 10
So that was a look at the second return for Ministry, AmeriKKKant. It’s got some issues, and maybe a little bit of the politics goes off the deep end, but at the same time the music matches with the times. Now it’s time to take a gander at a Industrial Metal group on the other side of the world, so join me in a few days when I’ll take a look at a band that I’m surprised took me this long to do so. See you soon!
Subscribe to:
Posts (Atom)
























